Duncan Rawlinson

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  • http://Duncan.co/canyon-overlook-at-dawn
    Canyon Overlook At Dawn
  • https://Duncan.co/dirt-bikes-on-the-street-in-moab
    Duncan-Rawlinson-Photo-600338-Arches...jpg
  • https://Duncan.co/winding-road-black-and-white/
    Duncan-Rawlinson-Photo-318887-Canyon...jpg
  • https://Duncan.co/shafer-trail-viewpoint
    Shafer Trail Viewpoint
  • https://Duncan.co/fall-colour-around-the-bend
    Duncan-Rawlinson-Photo-611830-Fall-2...jpg
  • Rearing Horse by: Barry Crawford from: Elko, NV year: 2018 (This piece was incredible. The handles on the fend turn and as you turn them subtle pieces of the horse would move. If you look at there is no visible connection from the handles to the piece. Absolutely outstanding piece of work.) My Burning Man 2018 Photos:<br />
https://Duncan.co/Burning-Man-2018<br />
<br />
My Burning Man 2017 Photos:<br />
https://Duncan.co/Burning-Man-2017<br />
<br />
My Burning Man 2016 Photos:<br />
https://Duncan.co/Burning-Man-2016<br />
<br />
My Burning Man 2015 Photos:<br />
https://Duncan.co/Burning-Man-2015<br />
<br />
My Burning Man 2014 Photos:<br />
https://Duncan.co/Burning-Man-2014<br />
<br />
My Burning Man 2013 Photos:<br />
https://Duncan.co/Burning-Man-2013<br />
<br />
My Burning Man 2012 Photos:<br />
https://Duncan.co/Burning-Man-2012
    0613-Duncan-Rawlinson-Photo-522530-B...jpg
  • Parasolvent by: Dan Benedict from: Anaheim, CA year: 2014<br />
<br />
Parasolvent is a mechanical expression of loss, release, healing and decay. Participants turn a crank to rotate a 20’ tall ring of red parasols. The collapsed parasols rise up through the chest cavity of a human figure and gradually open as they climb upwards, reaching full extension at the apex, and slowly closing as they descend.<br />
This piece is a meditation on the idea that engineering and architecture can create a space or object that acts a vessel for spiritual healing; imagining something we have held inside of us, be it sickness or pain, leaving us, rising, blossoming and decaying.<br />
<br />
Contact: dan@benedictaugust.com
    Duncan-Rawlinson-Photo-105950-Burnin...jpg
  • Pauper's Ballroom by: Pedro Loughran from: Sebastopol, CA year: 2019<br />
<br />
A Pauper’s Ballroom is what our parents tell us when walking down to a beach, a clearing or any other beautiful place in nature. A palace free to all. A pauper’s ballroom. The piece is a grand staircase with no second floor, framed by four towers. The way to the ballroom is to climb the staircase, turn around and then descend. The ballroom is the playa but best appreciated through the descent of a staircase, giving you the trappings of grandeur, while being merely pretense to the actual beauty of the free, natural space of the playa. “Nothing” is the absence of substance. It is the void, the infinite unknown. In this way, the “Stairway to Nothing” is the “Stairway to the Void.” Or it’s just the “Stairway to the Playa’s Second Floor.” URL: http://paupersballroom.org Contact: david.nelsongal@gmail.com
    Duncan-Rawlinson-Photo-589262-Burnin...jpg
  • Pauper's Ballroom by: Pedro Loughran from: Sebastopol, CA year: 2019<br />
<br />
A Pauper’s Ballroom is what our parents tell us when walking down to a beach, a clearing or any other beautiful place in nature. A palace free to all. A pauper’s ballroom. The piece is a grand staircase with no second floor, framed by four towers. The way to the ballroom is to climb the staircase, turn around and then descend. The ballroom is the playa but best appreciated through the descent of a staircase, giving you the trappings of grandeur, while being merely pretense to the actual beauty of the free, natural space of the playa. “Nothing” is the absence of substance. It is the void, the infinite unknown. In this way, the “Stairway to Nothing” is the “Stairway to the Void.” Or it’s just the “Stairway to the Playa’s Second Floor.” URL: http://paupersballroom.org Contact: david.nelsongal@gmail.com
    Duncan-Rawlinson-Photo-589255-Burnin...jpg
  • The Temple by: Marish Farnsworth and Steven Brummond from: Oakland, CA year: 2017<br />
<br />
The form of the Temple begins with life out of balance. Throughout the Sierra Nevada, species of pine trees are dying, compromised by a bark beetle which has proliferated due to human interruption of the cycle of forest fires, and climate change. The material of these trees, donated to our project, harvested and milled, becomes the basic building block of the Temple. Interlocking timber pieces in formation become a Temple that is both cloud and spire; inverted pyramidal columns suggest the negative-space of a forest canopy, simultaneously supporting a vast pagoda-like ‘cloud’ framework which in turn supports a central spire. In this way disorder gives way to harmony, and a group of dying trees is re-ordered into a cathedral of timbers stretching toward the sky; filtered sun rays will illuminate the intricate work of hundreds of hands building in unison; a collaboration that knits together a community as roots intertwine to give a healthy forest stability. URL: http://www.temple2017.org Contact: info@temple2017.org
    Duncan-Rawlinson-Photo-449471-Burnin...jpg
  • The Temple by: Marish Farnsworth and Steven Brummond from: Oakland, CA year: 2017<br />
<br />
The form of the Temple begins with life out of balance. Throughout the Sierra Nevada, species of pine trees are dying, compromised by a bark beetle which has proliferated due to human interruption of the cycle of forest fires, and climate change. The material of these trees, donated to our project, harvested and milled, becomes the basic building block of the Temple. Interlocking timber pieces in formation become a Temple that is both cloud and spire; inverted pyramidal columns suggest the negative-space of a forest canopy, simultaneously supporting a vast pagoda-like ‘cloud’ framework which in turn supports a central spire. In this way disorder gives way to harmony, and a group of dying trees is re-ordered into a cathedral of timbers stretching toward the sky; filtered sun rays will illuminate the intricate work of hundreds of hands building in unison; a collaboration that knits together a community as roots intertwine to give a healthy forest stability. URL: http://www.temple2017.org Contact: info@temple2017.org
    Duncan-Rawlinson-Photo-447515-Burnin...jpg
  • The Temple by: Marish Farnsworth and Steven Brummond from: Oakland, CA year: 2017<br />
<br />
The form of the Temple begins with life out of balance. Throughout the Sierra Nevada, species of pine trees are dying, compromised by a bark beetle which has proliferated due to human interruption of the cycle of forest fires, and climate change. The material of these trees, donated to our project, harvested and milled, becomes the basic building block of the Temple. Interlocking timber pieces in formation become a Temple that is both cloud and spire; inverted pyramidal columns suggest the negative-space of a forest canopy, simultaneously supporting a vast pagoda-like ‘cloud’ framework which in turn supports a central spire. In this way disorder gives way to harmony, and a group of dying trees is re-ordered into a cathedral of timbers stretching toward the sky; filtered sun rays will illuminate the intricate work of hundreds of hands building in unison; a collaboration that knits together a community as roots intertwine to give a healthy forest stability. URL: http://www.temple2017.org Contact: info@temple2017.org
    Duncan-Rawlinson-Photo-445043-Burnin...jpg
  • The Temple by: Marish Farnsworth and Steven Brummond from: Oakland, CA year: 2017<br />
<br />
The form of the Temple begins with life out of balance. Throughout the Sierra Nevada, species of pine trees are dying, compromised by a bark beetle which has proliferated due to human interruption of the cycle of forest fires, and climate change. The material of these trees, donated to our project, harvested and milled, becomes the basic building block of the Temple. Interlocking timber pieces in formation become a Temple that is both cloud and spire; inverted pyramidal columns suggest the negative-space of a forest canopy, simultaneously supporting a vast pagoda-like ‘cloud’ framework which in turn supports a central spire. In this way disorder gives way to harmony, and a group of dying trees is re-ordered into a cathedral of timbers stretching toward the sky; filtered sun rays will illuminate the intricate work of hundreds of hands building in unison; a collaboration that knits together a community as roots intertwine to give a healthy forest stability. URL: http://www.temple2017.org Contact: info@temple2017.org
    Duncan-Rawlinson-Photo-445040-Burnin...jpg
  • Mutant Vehicle and Parasolvent by: Dan Benedict from: Anaheim, CA year: 2014<br />
<br />
Parasolvent is a mechanical expression of loss, release, healing and decay. Participants turn a crank to rotate a 20’ tall ring of red parasols. The collapsed parasols rise up through the chest cavity of a human figure and gradually open as they climb upwards, reaching full extension at the apex, and slowly closing as they descend.<br />
This piece is a meditation on the idea that engineering and architecture can create a space or object that acts a vessel for spiritual healing; imagining something we have held inside of us, be it sickness or pain, leaving us, rising, blossoming and decaying.<br />
<br />
Contact: dan@benedictaugust.com
    Duncan-Rawlinson-Photo-108087-Burnin...jpg
  • The Dollhouse<br />
by: House of Strange Rituals<br />
from: Eugene, OR<br />
year: 2019<br />
<br />
The Dollhouse is a life-size dollhouse replica, modeled after a turn of the century Victorian home, where participants are encouraged to discover haunted elements by interacting with objects that trigger lights and sound. The back side of the home has the illusion of being completely exposed to open playa, but is enclosed with clear acrylic paneling. This allows citizens of Black Rock City to see the illuminated structure, and the people inside, from afar. Each room has a unique interactive sound installation, which plays off the concept of a seance gone wrong. The Dollhouse transports participants to an ethereal world on playa, captivating and enticing all to play and discover more secrets within.<br />
<br />
URL: https://www.houseofstrangerituals.com/the-dollhouse<br />
Contact: thedollhousecrew@gmail.com<br />
<br />
https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AVxYUAW
    260-Duncan-Rawlinson-Photo-584691-Bu...jpg
  • Turns out the 3rd floor was not closed.  They just do this to turn tourists away as the top floor cannot accommodate everyone... ;)
    Paris 189.jpg
  • Connections by: Oxana Belka from: Chicago, IL year: 2019<br />
<br />
We will bring ten mannequins. Building on the foundation of the human form, each mannequin will be uniquely painted and designed and will represent the spectrum of human emotions. As a whole, the art piece will represent the human experience. We live in a symbiotic relationship where we influence and affect change in one another. Through creativity, expression, and vulnerability, we are able to transform those around us, and they in turn transform us. At night, the mannequins will also be illuminated. The illumination will breathe life and further animate these forms. To the observer, the mannequins will become representative of not only the burning man experience but also a transformative journey, fueled by our bonds.
    Duncan-Rawlinson-Photo-586545-Burnin...jpg
  • Connections by: Oxana Belka from: Chicago, IL year: 2019<br />
<br />
We will bring ten mannequins. Building on the foundation of the human form, each mannequin will be uniquely painted and designed and will represent the spectrum of human emotions. As a whole, the art piece will represent the human experience. We live in a symbiotic relationship where we influence and affect change in one another. Through creativity, expression, and vulnerability, we are able to transform those around us, and they in turn transform us. At night, the mannequins will also be illuminated. The illumination will breathe life and further animate these forms. To the observer, the mannequins will become representative of not only the burning man experience but also a transformative journey, fueled by our bonds.
    Duncan-Rawlinson-Photo-586547-Burnin...jpg
  • The Temple by: Marish Farnsworth and Steven Brummond from: Oakland, CA year: 2017<br />
<br />
The form of the Temple begins with life out of balance. Throughout the Sierra Nevada, species of pine trees are dying, compromised by a bark beetle which has proliferated due to human interruption of the cycle of forest fires, and climate change. The material of these trees, donated to our project, harvested and milled, becomes the basic building block of the Temple. Interlocking timber pieces in formation become a Temple that is both cloud and spire; inverted pyramidal columns suggest the negative-space of a forest canopy, simultaneously supporting a vast pagoda-like ‘cloud’ framework which in turn supports a central spire. In this way disorder gives way to harmony, and a group of dying trees is re-ordered into a cathedral of timbers stretching toward the sky; filtered sun rays will illuminate the intricate work of hundreds of hands building in unison; a collaboration that knits together a community as roots intertwine to give a healthy forest stability. URL: http://www.temple2017.org Contact: info@temple2017.org
    Duncan-Rawlinson-Photo-446934-Burnin...jpg
  • The Dollhouse<br />
by: House of Strange Rituals<br />
from: Eugene, OR<br />
year: 2019<br />
<br />
The Dollhouse is a life-size dollhouse replica, modeled after a turn of the century Victorian home, where participants are encouraged to discover haunted elements by interacting with objects that trigger lights and sound. The back side of the home has the illusion of being completely exposed to open playa, but is enclosed with clear acrylic paneling. This allows citizens of Black Rock City to see the illuminated structure, and the people inside, from afar. Each room has a unique interactive sound installation, which plays off the concept of a seance gone wrong. The Dollhouse transports participants to an ethereal world on playa, captivating and enticing all to play and discover more secrets within.<br />
<br />
URL: https://www.houseofstrangerituals.com/the-dollhouse<br />
Contact: thedollhousecrew@gmail.com<br />
<br />
https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AVxYUAW
    330-Duncan-Rawlinson-Photo-585566-Bu...jpg
  • The Dollhouse<br />
by: House of Strange Rituals<br />
from: Eugene, OR<br />
year: 2019<br />
<br />
The Dollhouse is a life-size dollhouse replica, modeled after a turn of the century Victorian home, where participants are encouraged to discover haunted elements by interacting with objects that trigger lights and sound. The back side of the home has the illusion of being completely exposed to open playa, but is enclosed with clear acrylic paneling. This allows citizens of Black Rock City to see the illuminated structure, and the people inside, from afar. Each room has a unique interactive sound installation, which plays off the concept of a seance gone wrong. The Dollhouse transports participants to an ethereal world on playa, captivating and enticing all to play and discover more secrets within.<br />
<br />
URL: https://www.houseofstrangerituals.com/the-dollhouse<br />
Contact: thedollhousecrew@gmail.com<br />
<br />
https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AVxYUAW
    259-Duncan-Rawlinson-Photo-584686-Bu...jpg
  • The Dollhouse<br />
by: House of Strange Rituals<br />
from: Eugene, OR<br />
year: 2019<br />
<br />
The Dollhouse is a life-size dollhouse replica, modeled after a turn of the century Victorian home, where participants are encouraged to discover haunted elements by interacting with objects that trigger lights and sound. The back side of the home has the illusion of being completely exposed to open playa, but is enclosed with clear acrylic paneling. This allows citizens of Black Rock City to see the illuminated structure, and the people inside, from afar. Each room has a unique interactive sound installation, which plays off the concept of a seance gone wrong. The Dollhouse transports participants to an ethereal world on playa, captivating and enticing all to play and discover more secrets within.<br />
<br />
URL: https://www.houseofstrangerituals.com/the-dollhouse<br />
Contact: thedollhousecrew@gmail.com<br />
<br />
https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AVxYUAW
    258-Duncan-Rawlinson-Photo-584681-Bu...jpg
  • Turns out the 3rd floor was not closed.  They just do this to turn tourists away as the top floor cannot accommodate everyone... ;)
    Paris Eiffel Tower 020.jpg
  • I guess I can turn this off now.
    Duncan-Rawlinson-Photo-515875-Burnin...jpg
  • Fire Dancer and The Temple by: Marish Farnsworth and Steven Brummond from: Oakland, CA year: 2017<br />
<br />
The form of the Temple begins with life out of balance. Throughout the Sierra Nevada, species of pine trees are dying, compromised by a bark beetle which has proliferated due to human interruption of the cycle of forest fires, and climate change. The material of these trees, donated to our project, harvested and milled, becomes the basic building block of the Temple. Interlocking timber pieces in formation become a Temple that is both cloud and spire; inverted pyramidal columns suggest the negative-space of a forest canopy, simultaneously supporting a vast pagoda-like ‘cloud’ framework which in turn supports a central spire. In this way disorder gives way to harmony, and a group of dying trees is re-ordered into a cathedral of timbers stretching toward the sky; filtered sun rays will illuminate the intricate work of hundreds of hands building in unison; a collaboration that knits together a community as roots intertwine to give a healthy forest stability. URL: http://www.temple2017.org Contact: info@temple2017.org
    Duncan-Rawlinson-Photo-446412-Burnin...jpg
  • Totem of Confessions from: Petaluma, CA year: 2015<br />
<br />
Come one, come all to the mystical Totem of Confessions, Michael Garlington’s newest Chapel! Experience cathartic release as you liberate your secrets, unearth the hidden lives of those around you, and test your fortune and powers for uncovering concealed nooks and hidden compartments holding relics and gifts from the artists’ own hands. Upon approaching the 50′ edifice, whose design recalls ancient Khmer and Vedic architecture, revelers bask in the beauty and chaos of black and white photography in assemblage with salvaged and re-purposed mixed media. In the middle of the great room, a golden confessional stands as a portal to revelation and interaction with the art and other participants. Mysteries and discoveries will reveal themselves in the installation’s details and will, in turn, inspire visitors to explore their own hidden meanings and inner worlds. Contact: info@michaelgarlington.com
    Duncan-Rawlinson-Photo-263196-Burnin...jpg
  • Connections<br />
by: Oxana Belka<br />
from: Chicago, IL<br />
year: 2019<br />
<br />
We will bring ten mannequins. Building on the foundation of the human form, each mannequin will be uniquely painted and designed and will represent the spectrum of human emotions.<br />
<br />
As a whole, the art piece will represent the human experience. We live in a symbiotic relationship where we influence and affect change in one another. Through creativity, expression, and vulnerability, we are able to transform those around us, and they in turn transform us.<br />
<br />
At night, the mannequins will also be illuminated. The illumination will breathe life and further animate these forms. To the observer, the mannequins will become representative of not only the burning man experience but also a transformative journey, fueled by our bonds.<br />
<br />
Contact: oxanavfursenko@gmail.com<br />
<br />
https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=B#a2I0V000001TABCUA4
    377-Duncan-Rawlinson-Photo-586544-Bu...jpg
  • Tofino BC Canada 055.jpg
  • La Victrola from: Oakland, CA year: 2016<br />
<br />
La Victrola is a 35 ft tall Art Nouveau gramophone. Around its base is a fully immersive turn-of-the-century cabaret featuring the live music and performances from another era. During daytime hours, La Victrola will play the old time music of crackly old 78s to all who cross its path. Each evening, the cafe tables and lounges will be filled by the audience and performers will grace its stage. On a playa dominated by digital technology and music, La Victrola offers a counterpoint of jazz, blues, bluegrass, classical, and vaudeville that formed the foundations of what we hear today. URL: http://www.lavictrola2016.com/ Contact: volunteer@lavictrola2016.com
    Duncan-Rawlinson-Photo-305364-Burnin...jpg
  • Long View, a polar bear stands in the desert by: Don Kennell and Arctic Burn 505 from: Santa Fe, NM year: 2018<br />
<br />
A 34 foot polar bear made from white car hoods looks across the boundless vista of Black Rock City. The polar bear is an unlikely visitor to the Playa made from materials transformed from another time and place. Manifesting forces of climate change, she is searching for allies. Taking the “Long View” is crucial to survival. Combining content and joy, we ask the viewer to develop a relationship with the animal. Polar bears help humans imagine a faraway place, a place most will never visit. They are uniquely positioned as ambassadors to bring the arctic into human awareness. Animals disappear to make room for our cars. Turning wrecked cars into monumental animals visually reverses this process and impacts the consciousness of the viewer. Contact: arcticburn505@gmail.com
    Duncan-Rawlinson-Photo-521214-Burnin...jpg
  • Medusa Madness from: Petaluma, CA year: 2015<br />
<br />
Medusa Madness. Dare to stare lest you be turned to stone. Contact: medusa@rearedinsteel.com
    Duncan-Rawlinson-Photo-309900-Burnin...jpg
  • Fragments, 2019<br />
by: Marc Ippon de Ronda<br />
from: Paris, France<br />
year: 2019<br />
<br />
“Fragments” by French artist Marc Ippon de Ronda has been designed for Burning Man 2019. Where the artist turns an old Black Rock Desert legend into reality.<br />
<br />
The installation plays with the illusion of appearances and our ever-changing perception of self and surroundings, a recurring theme in de Ronda’s work. During the day Burners see their reflections evolve inside the fragmented mirrors as they move through the sand winds and find shelter in its corners and covers. At sunrise and sunset the installation invites for meditation. Burners ascend and descend the central staircase experiencing a golden hue of warmth from the sun. At night, “Fragments” shifts again into abstract LED surfaces creating a magical apparition in the desert darkness.<br />
<br />
URL: https://fragmentsart.org<br />
Contact: contact@fragmentsart.org<br />
<br />
<br />
https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AW2JUAW
    492-Duncan-Rawlinson-Photo-589045-Bu...jpg
  • Fragments, 2019 by: Marc Ippon de Ronda from: Paris, France year: 2019<br />
<br />
“Fragments” by French artist Marc Ippon de Ronda has been designed for Burning Man 2019. Where the artist turns an old Black Rock Desert legend into reality. The installation plays with the illusion of appearances and our ever-changing perception of self and surroundings, a recurring theme in de Ronda’s work. During the day Burners see their reflections evolve inside the fragmented mirrors as they move through the sand winds and find shelter in its corners and covers. At sunrise and sunset the installation invites for meditation. Burners ascend and descend the central staircase experiencing a golden hue of warmth from the sun. At night, “Fragments” shifts again into abstract LED surfaces creating a magical apparition in the desert darkness. URL: https://fragmentsart.org Contact: contact@fragmentsart.org
    Duncan-Rawlinson-Photo-589043-Burnin...jpg
  • Medusa Madness from: Petaluma, CA year: 2015<br />
<br />
Medusa Madness. Dare to stare lest you be turned to stone. Contact: medusa@rearedinsteel.com
    Duncan-Rawlinson-Photo-264212-Burnin...jpg
  • Medusa Madness from: Petaluma, CA year: 2015<br />
<br />
Medusa Madness. Dare to stare lest you be turned to stone. Contact: medusa@rearedinsteel.com
    Duncan-Rawlinson-Photo-264177-Burnin...jpg
  • Medusa Madness from: Petaluma, CA year: 2015<br />
<br />
Medusa Madness. Dare to stare lest you be turned to stone. Contact: medusa@rearedinsteel.com
    Duncan-Rawlinson-Photo-264172-Burnin...jpg
  • Great to meet you. Hope that 4k footage turned out!
    527-Duncan-Rawlinson-Photo-589755-Bu...jpg
  • Look at all the dorky photographers like me in the reflection. I wonder how their photos turned out.
    0830-Duncan-Rawlinson-Photo-524978-B...jpg
  • These folks asked me to take their picture. One of them handed me a disposable camera! I hadn't seen one in years. I asked them to take one with my camera. They weren't as keen for my image as you can see fromt he half heated smiles here... Wonder if the disposable camera image turned out. My Burning Man 2018 Photos:<br />
https://Duncan.co/Burning-Man-2018<br />
<br />
My Burning Man 2017 Photos:<br />
https://Duncan.co/Burning-Man-2017<br />
<br />
My Burning Man 2016 Photos:<br />
https://Duncan.co/Burning-Man-2016<br />
<br />
My Burning Man 2015 Photos:<br />
https://Duncan.co/Burning-Man-2015<br />
<br />
My Burning Man 2014 Photos:<br />
https://Duncan.co/Burning-Man-2014<br />
<br />
My Burning Man 2013 Photos:<br />
https://Duncan.co/Burning-Man-2013<br />
<br />
My Burning Man 2012 Photos:<br />
https://Duncan.co/Burning-Man-2012
    0581-Duncan-Rawlinson-Photo-528533-B...jpg
  • BEBOT by: Andrea Greenlees, Andy Tibbetts and Josh Haywood from: Surbiton, Surrey, England year: 2018 (I was out photographing this piece and one of the artists/collaborators came over to say hi. There was a really bright light making this image impossible so I asked them to shut it off for a minute. They turned off the light and this photo is the result. I hope this photo finds them. If you see me out there let's collaborate to make a nice image of your art!) My Burning Man 2018 Photos:<br />
https://Duncan.co/Burning-Man-2018<br />
<br />
My Burning Man 2017 Photos:<br />
https://Duncan.co/Burning-Man-2017<br />
<br />
My Burning Man 2016 Photos:<br />
https://Duncan.co/Burning-Man-2016<br />
<br />
My Burning Man 2015 Photos:<br />
https://Duncan.co/Burning-Man-2015<br />
<br />
My Burning Man 2014 Photos:<br />
https://Duncan.co/Burning-Man-2014<br />
<br />
My Burning Man 2013 Photos:<br />
https://Duncan.co/Burning-Man-2013<br />
<br />
My Burning Man 2012 Photos:<br />
https://Duncan.co/Burning-Man-2012
    0218-Duncan-Rawlinson-Photo-517584-B...jpg
  • I ran into a burner here who has a net worth over $50 Billion according to that crazy Forbes list. He was by far the wealthiest person I've ever met. There was a group of about 10 burners around and nobody knew who he was but I recognized him immediately. I nervously introduced myself thinking he would be some kind of time traveller or really mean to me. Turns out he was super friendly and his main concern was finding interactive art pieces for his children to explore because they had to go back to school soon. You know like completely normal stuff. Everyone puts their pants on the same way... If even you're one of the top 20 wealthiest people out of 7.7 Billion. It was a real treat to meet him after reading about their business. My Burning Man 2018 Photos:<br />
https://Duncan.co/Burning-Man-2018<br />
<br />
My Burning Man 2017 Photos:<br />
https://Duncan.co/Burning-Man-2017<br />
<br />
My Burning Man 2016 Photos:<br />
https://Duncan.co/Burning-Man-2016<br />
<br />
My Burning Man 2015 Photos:<br />
https://Duncan.co/Burning-Man-2015<br />
<br />
My Burning Man 2014 Photos:<br />
https://Duncan.co/Burning-Man-2014<br />
<br />
My Burning Man 2013 Photos:<br />
https://Duncan.co/Burning-Man-2013<br />
<br />
My Burning Man 2012 Photos:<br />
https://Duncan.co/Burning-Man-2012
    0105-Duncan-Rawlinson-Photo-516264-B...jpg
  • Where the gravel turns into playa. My Burning Man 2018 Photos:<br />
https://Duncan.co/Burning-Man-2018<br />
<br />
My Burning Man 2017 Photos:<br />
https://Duncan.co/Burning-Man-2017<br />
<br />
My Burning Man 2016 Photos:<br />
https://Duncan.co/Burning-Man-2016<br />
<br />
My Burning Man 2015 Photos:<br />
https://Duncan.co/Burning-Man-2015<br />
<br />
My Burning Man 2014 Photos:<br />
https://Duncan.co/Burning-Man-2014<br />
<br />
My Burning Man 2013 Photos:<br />
https://Duncan.co/Burning-Man-2013<br />
<br />
My Burning Man 2012 Photos:<br />
https://Duncan.co/Burning-Man-2012
    0007-Duncan-Rawlinson-Photo-515818-B...jpg
  • I guess holding a HUGE DSLR in front of my face means please spray me... LOL.  Luckily I turned away right away and only got some water on the front of the lens.  This was THE only person to spray me during the entire event.
    Flashmob Waterfight Vancouver 197.jpg
  • This photo is upside down. This is how Gaudi figured out how to design La Sagrada Familia, by hanging lead weights by string to create perfect curves for the supports...Wikipedia:...Gaudí spent ten years working on studies for the design of La Sagrada Família and developing a new method of structural calculation based on a model built with cords and small sacks of lead shot. The outline of the church was traced on a wooden board (1:10 scale), which was then placed on the ceiling of a small house next to the work site. Cords were hung from the points where columns were to be placed. The sacks of pellets, weighing one ten-thousandth part of the weight the arches would to support, were hung from each catenaric arch formed by the cords. Photographs were then taken of the resulting model from various angles. When the photographs were turned upside-down, the lines of tension formed by the cords and weights revealed the lines of pressure of the compressed structure. This is one of the ways that Gaudí obtained natural forms in his work...The same expressive power of Gaudí's monumental works exists in his oddly graceful chairs and tables. Gaudí's architecture is a total integration of materials, processes and poetics. His approach to furniture design exceeded structural expression and continued with the overall architectural idea.[20]..en.wikipedia.org/wiki/Antoni_Gaud%c3%ad ( http://en.wikipedia.org/wiki/Antoni_Gaud%c3%ad )
    Barcelona April 2010 040.jpg
  • Medusa Madness detail  from: Petaluma, CA year: 2015<br />
<br />
Medusa Madness. Dare to stare lest you be turned to stone. Contact: medusa@rearedinsteel.com
    Duncan-Rawlinson-Photo-264295-Burnin...jpg
  • LEOs at Medusa Madness from: Petaluma, CA year: 2015<br />
<br />
Medusa Madness. Dare to stare lest you be turned to stone. Contact: medusa@rearedinsteel.com
    Duncan-Rawlinson-Photo-264241-Burnin...jpg
  • Medusa Madness from: Petaluma, CA year: 2015<br />
<br />
Medusa Madness. Dare to stare lest you be turned to stone. Contact: medusa@rearedinsteel.com
    Duncan-Rawlinson-Photo-264204-Burnin...jpg
  • Medusa Madness from: Petaluma, CA year: 2015<br />
<br />
Medusa Madness. Dare to stare lest you be turned to stone. Contact: medusa@rearedinsteel.com
    Duncan-Rawlinson-Photo-262771-Burnin...jpg
  • This is an awesome way to get smooth video. Nice. Wonder how this shot turned out. I like seeing people try stuff like this.
    0946-Duncan-Rawlinson-Photo-527035-B...jpg
  • This photo is upside down. This is how Gaudi figured out how to design La Sagrada Familia, by hanging lead weights by string to create perfect curves for the supports...Wikipedia:...Gaudí spent ten years working on studies for the design of La Sagrada Família and developing a new method of structural calculation based on a model built with cords and small sacks of lead shot. The outline of the church was traced on a wooden board (1:10 scale), which was then placed on the ceiling of a small house next to the work site. Cords were hung from the points where columns were to be placed. The sacks of pellets, weighing one ten-thousandth part of the weight the arches would to support, were hung from each catenaric arch formed by the cords. Photographs were then taken of the resulting model from various angles. When the photographs were turned upside-down, the lines of tension formed by the cords and weights revealed the lines of pressure of the compressed structure. This is one of the ways that Gaudí obtained natural forms in his work...The same expressive power of Gaudí's monumental works exists in his oddly graceful chairs and tables. Gaudí's architecture is a total integration of materials, processes and poetics. His approach to furniture design exceeded structural expression and continued with the overall architectural idea.[20]..en.wikipedia.org/wiki/Antoni_Gaud%c3%ad ( http://en.wikipedia.org/wiki/Antoni_Gaud%c3%ad )
    Barcelona La Sagrada Família 019.jpg
  • Turn The Handle Get Waves XOXO 2013 007