Duncan Rawlinson

  • Galleries
    • All Galleries
    • Search
    • Cart
    • Lightbox
    • Client Area
  • About
  • Contact
  • Blog
  • Facebook
  • Twitter
x

Search Results

Refine Search
Match all words
Match any word
Prints
Personal Use
Royalty-Free
Rights-Managed
(leave unchecked to
search all images)
30 images found
twitterlinkedinfacebook

Loading ()...

  • http://Duncan.co/container-ship-at-dusk
    Container Ship At Dusk
  • http://Duncan.co/idle-tank-cars
    Idle Tank Cars
  • https://Duncan.co/algocanada-ship
    Duncan-Rawlinson-Photo-569949-Upstat...jpg
  • https://Duncan.co/algocanada-ship
    Duncan-Rawlinson-Photo-569912-Upstat...jpg
  • http://Duncan.co/bailey-yard
    Bailey Yard
  • http://Duncan.co/smiley-face-water-tower
    Smiley Face Water Tower
  • http://Duncan.co/fuel-storage-tank
    Fuel Storage Tank
  • But I liked how it looked. My Burning Man 2018 Photos:<br />
https://Duncan.co/Burning-Man-2018<br />
<br />
My Burning Man 2017 Photos:<br />
https://Duncan.co/Burning-Man-2017<br />
<br />
My Burning Man 2016 Photos:<br />
https://Duncan.co/Burning-Man-2016<br />
<br />
My Burning Man 2015 Photos:<br />
https://Duncan.co/Burning-Man-2015<br />
<br />
My Burning Man 2014 Photos:<br />
https://Duncan.co/Burning-Man-2014<br />
<br />
My Burning Man 2013 Photos:<br />
https://Duncan.co/Burning-Man-2013<br />
<br />
My Burning Man 2012 Photos:<br />
https://Duncan.co/Burning-Man-2012
    0027-Duncan-Rawlinson-Photo-516149-B...jpg
  • https://Duncan.co/sunset-and-cargo-ship
    Sunset And Cargo Ship
  • https://Duncan.co/cargo-train-glitch
    Cargo Train Glitch
  • Ascension by: Crimson Collective from: Los Angeles, CA year: 2017<br />
<br />
In the Japanese culture the Crane is seen as a symbol of peace, luck, prosperity and health. It is believed that if you fold a thousand origami cranes, the universe will grant you a wish. We chose to build a giant crane (Coco) in the style and tradition of origami; so wherever it went it would bring with it the spirit and the energy of peace and wellness.<br />
<br />
Ascension (Coco), is a 150 ft wide and 45 ft tall giant white origami crane made of aluminum truss, white fabric, and tension wire. The aluminum structure is modular, making the crane a temporary installation, but completely mobile. The 100+ components and over 7000 sf of 80% mesh texilene sunshade material, that make up the crane, can be dismantled and shipped in one 40 ft shipping container.
    Duncan-Rawlinson-Photo-444767-Burnin...jpg
  • Come, come, whoever you are. Wanderer, idolator, worshipper of fire even though you have broken your vows a thousand times, Come, and come yet again. Ours is not a caravan of despair. – Rumi The Wheels of Zoroaster Resurrection by: Anton Viditz-Ward & Deep Creek Experimental from: Telluride, CO year: 2019 Two large wheels hung on two axles driven independently by two drive shafts with hand-cranks. The wheels are cages that will contain firewood that is set on fire and spun by the hand-cranked drive shafts. Contact: antonviditzward@gmail.com https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AW1fUAG
    Duncan-Rawlinson-Photo-593563-Burnin...jpg
  • Come, come, whoever you are.<br />
Wanderer, idolator, worshipper of fire even though you have broken your vows a thousand times,<br />
Come, and come yet again. Ours is not a caravan of despair. - Rumi<br />
<br />
<br />
The Wheels of Zoroaster Resurrection<br />
by: Anton Viditz-Ward & Deep Creek Experimental<br />
from: Telluride, CO<br />
year: 2019<br />
<br />
Two large wheels hung on two axles driven independently by two drive shafts with hand-cranks. The wheels are cages that will contain firewood that is set on fire and spun by the hand-cranked drive shafts.<br />
<br />
Contact: antonviditzward@gmail.com<br />
<br />
https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AW1fUAG
    691-Duncan-Rawlinson-Photo-593559-Bu...jpg
  • The Wheels of Zoroaster Resurrection Build<br />
by: Anton Viditz-Ward & Deep Creek Experimental<br />
from: Telluride, CO<br />
year: 2019<br />
<br />
Two large wheels hung on two axles driven independently by two drive shafts with hand-cranks. The wheels are cages that will contain firewood that is set on fire and spun by the hand-cranked drive shafts.<br />
<br />
Contact: antonviditzward@gmail.com<br />
<br />
https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AW1fUAG My Burning Man 2019 Photos:<br />
https://Duncan.co/Burning-Man-2019<br />
<br />
My Burning Man 2018 Photos:<br />
https://Duncan.co/Burning-Man-2018<br />
<br />
My Burning Man 2017 Photos:<br />
https://Duncan.co/Burning-Man-2017<br />
<br />
My Burning Man 2016 Photos:<br />
https://Duncan.co/Burning-Man-2016<br />
<br />
My Burning Man 2015 Photos:<br />
https://Duncan.co/Burning-Man-2015<br />
<br />
My Burning Man 2014 Photos:<br />
https://Duncan.co/Burning-Man-2014<br />
<br />
My Burning Man 2013 Photos:<br />
https://Duncan.co/Burning-Man-2013<br />
<br />
My Burning Man 2012 Photos:<br />
https://Duncan.co/Burning-Man-2012
    110-Duncan-Rawlinson-Photo-584086-Bu...jpg
  • The Wheels of Zoroaster Resurrection Build<br />
by: Anton Viditz-Ward & Deep Creek Experimental<br />
from: Telluride, CO<br />
year: 2019<br />
<br />
Two large wheels hung on two axles driven independently by two drive shafts with hand-cranks. The wheels are cages that will contain firewood that is set on fire and spun by the hand-cranked drive shafts.<br />
<br />
Contact: antonviditzward@gmail.com<br />
<br />
https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AW1fUAG My Burning Man 2019 Photos:<br />
https://Duncan.co/Burning-Man-2019<br />
<br />
My Burning Man 2018 Photos:<br />
https://Duncan.co/Burning-Man-2018<br />
<br />
My Burning Man 2017 Photos:<br />
https://Duncan.co/Burning-Man-2017<br />
<br />
My Burning Man 2016 Photos:<br />
https://Duncan.co/Burning-Man-2016<br />
<br />
My Burning Man 2015 Photos:<br />
https://Duncan.co/Burning-Man-2015<br />
<br />
My Burning Man 2014 Photos:<br />
https://Duncan.co/Burning-Man-2014<br />
<br />
My Burning Man 2013 Photos:<br />
https://Duncan.co/Burning-Man-2013<br />
<br />
My Burning Man 2012 Photos:<br />
https://Duncan.co/Burning-Man-2012
    109-Duncan-Rawlinson-Photo-584083-Bu...jpg
  • The Larry Memorial by: Dana Albany, Andrew Johnstone, David Best, Flash Hopkins from: San Francisco, CA year: 2019<br />
<br />
A stepped pyramid crowned with a palanquin and large spire, flanked on each corner by lamplighter spires. It serves as a physical representation of Larry’s mind palace and contains some of Larry’s books and mementos. Contact: danaalbany@juno.com
    Duncan-Rawlinson-Photo-516677-Burnin...jpg
  • The Larry Memorial by: Dana Albany, Andrew Johnstone, David Best, Flash Hopkins from: San Francisco, CA year: 2019<br />
<br />
A stepped pyramid crowned with a palanquin and large spire, flanked on each corner by lamplighter spires. It serves as a physical representation of Larry’s mind palace and contains some of Larry’s books and mementos. Contact: danaalbany@juno.com
    Duncan-Rawlinson-Photo-516658-Burnin...jpg
  • Mazu Goddess of the Empty Sea Burn from: New Xishi City, Taiwan year: 2015<br />
<br />
You walk through the dust and heat of day, beyond the heart of the city, and from the haze before you emerges a shape that is both plant and place, flower and temple, both open and contained. No fence keeps you out, but one hundred and eight lanterns mark out the space, like a fairy ring in the forest, like the hundred and eight beads of the Buddhist rosary.<br />
<br />
Through the archway you walk. Up the long, low steps, the muffled sound of your tread meets the familiar clunk of wood; the music of a seaside pier rises from the dust, invoking the sense of some long lost place where water once stretched out to kiss the horizon. Below, the improbable sounds of water and the briefest hints of ocean blue tickle the imagination. From above, eight dragons of fire and steel peer down, watching you, or look out into the distance, waiting.<br />
<br />
And again, the thing that is neither quite plant nor place seems to hover at the edge of defining, the green rooftop like a lily pad, the great lotus rising up out of the dried mud and the memory of water, each petal big enough to sleep in, open out from this improbable tree, this pillar of memories.<br />
<br />
Inside, past and present blend and dance together. Old rites and new technologies bring fresh form to venerable, ancient practices. There is hidden circuitry here: casting the moon blocks reveals the will of the gods in a panoply of color and light. The breath of dragons explodes outward in answer to prayer. The goddess herself has been known to appear, if the moment is right.<br />
<br />
You leave the temple, clutching message and map, and the sound of music finds your ears. Drums, gongs and shouting voices emerge from fantastical shapes, finned and spiny, nautilus-headed dancers and demons with a thousand eyes walk out of the dust, beckoning you to join them. You wonder, for a moment, if you are in fact in a desert, or in the memories of an ancient ocean, seeing the dreams of the sea
    Duncan-Rawlinson-Photo-259815-Burnin...jpg
  • Mazu Goddess of the Empty Sea Burn from: New Xishi City, Taiwan year: 2015<br />
<br />
You walk through the dust and heat of day, beyond the heart of the city, and from the haze before you emerges a shape that is both plant and place, flower and temple, both open and contained. No fence keeps you out, but one hundred and eight lanterns mark out the space, like a fairy ring in the forest, like the hundred and eight beads of the Buddhist rosary.<br />
<br />
Through the archway you walk. Up the long, low steps, the muffled sound of your tread meets the familiar clunk of wood; the music of a seaside pier rises from the dust, invoking the sense of some long lost place where water once stretched out to kiss the horizon. Below, the improbable sounds of water and the briefest hints of ocean blue tickle the imagination. From above, eight dragons of fire and steel peer down, watching you, or look out into the distance, waiting.<br />
<br />
And again, the thing that is neither quite plant nor place seems to hover at the edge of defining, the green rooftop like a lily pad, the great lotus rising up out of the dried mud and the memory of water, each petal big enough to sleep in, open out from this improbable tree, this pillar of memories.<br />
<br />
Inside, past and present blend and dance together. Old rites and new technologies bring fresh form to venerable, ancient practices. There is hidden circuitry here: casting the moon blocks reveals the will of the gods in a panoply of color and light. The breath of dragons explodes outward in answer to prayer. The goddess herself has been known to appear, if the moment is right.<br />
<br />
You leave the temple, clutching message and map, and the sound of music finds your ears. Drums, gongs and shouting voices emerge from fantastical shapes, finned and spiny, nautilus-headed dancers and demons with a thousand eyes walk out of the dust, beckoning you to join them. You wonder, for a moment, if you are in fact in a desert, or in the memories of an ancient ocean, seeing the dreams of the sea
    Duncan-Rawlinson-Photo-259770-Burnin...jpg
  • Mazu Goddess of the Empty Sea Burn from: New Xishi City, Taiwan year: 2015<br />
<br />
You walk through the dust and heat of day, beyond the heart of the city, and from the haze before you emerges a shape that is both plant and place, flower and temple, both open and contained. No fence keeps you out, but one hundred and eight lanterns mark out the space, like a fairy ring in the forest, like the hundred and eight beads of the Buddhist rosary.<br />
<br />
Through the archway you walk. Up the long, low steps, the muffled sound of your tread meets the familiar clunk of wood; the music of a seaside pier rises from the dust, invoking the sense of some long lost place where water once stretched out to kiss the horizon. Below, the improbable sounds of water and the briefest hints of ocean blue tickle the imagination. From above, eight dragons of fire and steel peer down, watching you, or look out into the distance, waiting.<br />
<br />
And again, the thing that is neither quite plant nor place seems to hover at the edge of defining, the green rooftop like a lily pad, the great lotus rising up out of the dried mud and the memory of water, each petal big enough to sleep in, open out from this improbable tree, this pillar of memories.<br />
<br />
Inside, past and present blend and dance together. Old rites and new technologies bring fresh form to venerable, ancient practices. There is hidden circuitry here: casting the moon blocks reveals the will of the gods in a panoply of color and light. The breath of dragons explodes outward in answer to prayer. The goddess herself has been known to appear, if the moment is right.<br />
<br />
You leave the temple, clutching message and map, and the sound of music finds your ears. Drums, gongs and shouting voices emerge from fantastical shapes, finned and spiny, nautilus-headed dancers and demons with a thousand eyes walk out of the dust, beckoning you to join them. You wonder, for a moment, if you are in fact in a desert, or in the memories of an ancient ocean, seeing the dreams of the sea
    Duncan-Rawlinson-Photo-259752-Burnin...jpg
  • Mazu Goddess of the Empty Sea Burn from: New Xishi City, Taiwan year: 2015<br />
<br />
You walk through the dust and heat of day, beyond the heart of the city, and from the haze before you emerges a shape that is both plant and place, flower and temple, both open and contained. No fence keeps you out, but one hundred and eight lanterns mark out the space, like a fairy ring in the forest, like the hundred and eight beads of the Buddhist rosary.<br />
<br />
Through the archway you walk. Up the long, low steps, the muffled sound of your tread meets the familiar clunk of wood; the music of a seaside pier rises from the dust, invoking the sense of some long lost place where water once stretched out to kiss the horizon. Below, the improbable sounds of water and the briefest hints of ocean blue tickle the imagination. From above, eight dragons of fire and steel peer down, watching you, or look out into the distance, waiting.<br />
<br />
And again, the thing that is neither quite plant nor place seems to hover at the edge of defining, the green rooftop like a lily pad, the great lotus rising up out of the dried mud and the memory of water, each petal big enough to sleep in, open out from this improbable tree, this pillar of memories.<br />
<br />
Inside, past and present blend and dance together. Old rites and new technologies bring fresh form to venerable, ancient practices. There is hidden circuitry here: casting the moon blocks reveals the will of the gods in a panoply of color and light. The breath of dragons explodes outward in answer to prayer. The goddess herself has been known to appear, if the moment is right.<br />
<br />
You leave the temple, clutching message and map, and the sound of music finds your ears. Drums, gongs and shouting voices emerge from fantastical shapes, finned and spiny, nautilus-headed dancers and demons with a thousand eyes walk out of the dust, beckoning you to join them. You wonder, for a moment, if you are in fact in a desert, or in the memories of an ancient ocean, seeing the dreams of the sea
    Duncan-Rawlinson-Photo-259741-Burnin...jpg
  • Tzompantli<br />
by: T. Booth Haley<br />
from: Berkeley, CA<br />
year: 2019<br />
<br />
Tzompantli were skull racks that were built in front of temples in a number of Mesoamerican civilizations to demonstrate the power of the ruling elite and their gods. The sacrificial victims are thought to have been mostly captives of war.<br />
<br />
Each victim was skinned and had a hole cut in the cranium by an expert using obsidian blades. Tzompantli is a Nahuatl word, the language of the Aztecs, and the largest one was in the Aztec capital of Tenochtitlan. It was 60 by 30 meters, several meters tall, and contained an estimated 60,000 skulls.<br />
<br />
This BRC tzompantli is a replica of the ancient ones. The historical tzompantli stood outside the oldest temples of the Americas and here the skull rack stands outside the newest temple of the Americas.<br />
<br />
https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=B#a2I0V000001AXAxUAO
    419-Duncan-Rawlinson-Photo-587298-Bu...jpg
  • The Larry Memorial<br />
by: Dana Albany, Andrew Johnstone, David Best, Flash Hopkins<br />
from: San Francisco, CA<br />
year: 2019<br />
<br />
A stepped pyramid crowned with a palanquin and large spire, flanked on each corner by lamplighter spires.<br />
It serves as a physical representation of Larry’s mind palace and contains some of Larry’s books and mementos.<br />
<br />
Contact: danaalbany@juno.com
    362-Duncan-Rawlinson-Photo-586377-Bu...jpg
  • The Larry Memorial by: Dana Albany, Andrew Johnstone, David Best, Flash Hopkins from: San Francisco, CA year: 2019<br />
<br />
A stepped pyramid crowned with a palanquin and large spire, flanked on each corner by lamplighter spires. It serves as a physical representation of Larry’s mind palace and contains some of Larry’s books and mementos. Contact: danaalbany@juno.com
    Duncan-Rawlinson-Photo-586375-Burnin...jpg
  • Firedancer at Methuselah is a 20′ metal sculpture of the world’s oldest tree. The tree’s bark is steel, patinated to blue, brown & white, and seams of glass reveal propane flames within the trunk, reflected in a mirror below. The tree’s roots form benches on which Burners can congregate. Ancestry and evolution are central themes for our work, whose namesake’s rings and branches bore witness to the entire span of recorded human history. Great trees gave their limbs and leaves as axles, paper, bows, hulls and roofs, and held space and time for our ancestors’ radical rituals. Black Rock City contains many altars of dance and ecstasy, and many more of learning and relaxation, but the city provides comparatively few spaces for contemplation and remembrance. Circular spaces, lone trees and eternal flames are all strong ritualistic symbols and joining them in Methuselah helps to dislocate Participants from the frenzy of present day time and re-anchors them in the still time of mythology. URL: http://www.graydavidson.com/art/methuselah Contact: msnaiman12@gmail.com
    Duncan-Rawlinson-Photo-444152-Burnin...jpg
  • The Harmoniscope from: Seattle, WA year: 2016<br />
<br />
The Harmoniscope is a 20′ tall mysteriously pulsing 9-sided structure that transports participants to another place in space-time. Inside is an 8-sided column containing a reactor core made up of many colorful spiraling acrylic rods, the light from which gets reflected back to the outside of the building and on to the playa. It requires participants to work together to decipher the mystery of how it works, and why it’s here. Participants must decipher an unknown language, illustrated on a Rosetta Stone, using audio/visual cues, a kaleidoscopes and controls to collectively align the reactor core. Once aligned, they will be rewarded with a dramatic sound and lighting event that energizes it, triggering the journey that will bring them to their next destination. URL: http://www.harmoniscope.com Contact: harmoniscope@gmail.com
    Duncan-Rawlinson-Photo-314657-Burnin...jpg
  • Mazu Goddess of the Empty Sea from: New Xishi City, Taiwan year: 2015<br />
<br />
You walk through the dust and heat of day, beyond the heart of the city, and from the haze before you emerges a shape that is both plant and place, flower and temple, both open and contained. No fence keeps you out, but one hundred and eight lanterns mark out the space, like a fairy ring in the forest, like the hundred and eight beads of the Buddhist rosary.<br />
<br />
Through the archway you walk. Up the long, low steps, the muffled sound of your tread meets the familiar clunk of wood; the music of a seaside pier rises from the dust, invoking the sense of some long lost place where water once stretched out to kiss the horizon. Below, the improbable sounds of water and the briefest hints of ocean blue tickle the imagination. From above, eight dragons of fire and steel peer down, watching you, or look out into the distance, waiting.<br />
<br />
And again, the thing that is neither quite plant nor place seems to hover at the edge of defining, the green rooftop like a lily pad, the great lotus rising up out of the dried mud and the memory of water, each petal big enough to sleep in, open out from this improbable tree, this pillar of memories.<br />
<br />
Inside, past and present blend and dance together. Old rites and new technologies bring fresh form to venerable, ancient practices. There is hidden circuitry here: casting the moon blocks reveals the will of the gods in a panoply of color and light. The breath of dragons explodes outward in answer to prayer. The goddess herself has been known to appear, if the moment is right.<br />
<br />
You leave the temple, clutching message and map, and the sound of music finds your ears. Drums, gongs and shouting voices emerge from fantastical shapes, finned and spiny, nautilus-headed dancers and demons with a thousand eyes walk out of the dust, beckoning you to join them. You wonder, for a moment, if you are in fact in a desert, or in the memories of an ancient ocean, seeing the dreams of the sea floor
    Duncan-Rawlinson-Photo-262753-Burnin...jpg
  • The Larry Memorial<br />
by: Dana Albany, Andrew Johnstone, David Best, Flash Hopkins<br />
from: San Francisco, CA<br />
year: 2019<br />
<br />
A stepped pyramid crowned with a palanquin and large spire, flanked on each corner by lamplighter spires.<br />
It serves as a physical representation of Larry’s mind palace and contains some of Larry’s books and mementos.<br />
<br />
Contact: danaalbany@juno.com My Burning Man 2019 Photos:<br />
https://Duncan.co/Burning-Man-2019<br />
<br />
My Burning Man 2018 Photos:<br />
https://Duncan.co/Burning-Man-2018<br />
<br />
My Burning Man 2017 Photos:<br />
https://Duncan.co/Burning-Man-2017<br />
<br />
My Burning Man 2016 Photos:<br />
https://Duncan.co/Burning-Man-2016<br />
<br />
My Burning Man 2015 Photos:<br />
https://Duncan.co/Burning-Man-2015<br />
<br />
My Burning Man 2014 Photos:<br />
https://Duncan.co/Burning-Man-2014<br />
<br />
My Burning Man 2013 Photos:<br />
https://Duncan.co/Burning-Man-2013<br />
<br />
My Burning Man 2012 Photos:<br />
https://Duncan.co/Burning-Man-2012
    030-Duncan-Rawlinson-Photo-583372-Bu...jpg
  • Methuselah is a 20′ metal sculpture of the world’s oldest tree. The tree’s bark is steel, patinated to blue, brown & white, and seams of glass reveal propane flames within the trunk, reflected in a mirror below. The tree’s roots form benches on which Burners can congregate. Ancestry and evolution are central themes for our work, whose namesake’s rings and branches bore witness to the entire span of recorded human history. Great trees gave their limbs and leaves as axles, paper, bows, hulls and roofs, and held space and time for our ancestors’ radical rituals. Black Rock City contains many altars of dance and ecstasy, and many more of learning and relaxation, but the city provides comparatively few spaces for contemplation and remembrance. Circular spaces, lone trees and eternal flames are all strong ritualistic symbols and joining them in Methuselah helps to dislocate Participants from the frenzy of present day time and re-anchors them in the still time of mythology. URL: http://www.graydavidson.com/art/methuselah Contact: msnaiman12@gmail.com
    Duncan-Rawlinson-Photo-443886-Burnin...jpg
  • Not sure what this is.
    1055-Duncan-Rawlinson-Photo-526813-B...jpg