Duncan Rawlinson

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  • https://Duncan.co/swans-wandering-into-river
    Duncan-Rawlinson-Photo-494570-Boatin...jpg
  • http://Duncan.co/ice-breaking-up-into-small-pieces
    Ice Breaking Up Into Small Pieces
  • http://Duncan.co/man-jumping-into-ocean
    Man Jumping Into Ocean
  • https://Duncan.co/driving-into-the-sunrise
    Driving Into The Sunrise
  • Solipmission - An Initiation Into Future Realities by: Dadara from: Amsterdam, Netherlands year: 2017<br />
<br />
A small crew of artists will be locked up inside a black box for the entire week of the event. They will create a virtual Burning Man on the inside walls without ever viewing the outside, just based on what visitors tell them. URL: http://www.solipmission.com Contact: dadara@dadara.nl
    Duncan-Rawlinson-Photo-443913-Burnin...jpg
  • Solipmission - An Initiation Into Future Realities by: Dadara from: Amsterdam, Netherlands year: 2017<br />
<br />
A small crew of artists will be locked up inside a black box for the entire week of the event. They will create a virtual Burning Man on the inside walls without ever viewing the outside, just based on what visitors tell them. URL: http://www.solipmission.com Contact: dadara@dadara.nl
    Duncan-Rawlinson-Photo-443922-Burnin...jpg
  • Solipmission - An Initiation Into Future Realities by: Dadara from: Amsterdam, Netherlands year: 2017<br />
<br />
A small crew of artists will be locked up inside a black box for the entire week of the event. They will create a virtual Burning Man on the inside walls without ever viewing the outside, just based on what visitors tell them. URL: http://www.solipmission.com Contact: dadara@dadara.nl
    Duncan-Rawlinson-Photo-443920-Burnin...jpg
  • Solipmission - An Initiation Into Future Realities by: Dadara from: Amsterdam, Netherlands year: 2017<br />
<br />
A small crew of artists will be locked up inside a black box for the entire week of the event. They will create a virtual Burning Man on the inside walls without ever viewing the outside, just based on what visitors tell them. URL: http://www.solipmission.com Contact: dadara@dadara.nl
    Duncan-Rawlinson-Photo-443902-Burnin...jpg
  • Solipmission - An Initiation Into Future Realities by: Dadara from: Amsterdam, Netherlands year: 2017<br />
<br />
A small crew of artists will be locked up inside a black box for the entire week of the event. They will create a virtual Burning Man on the inside walls without ever viewing the outside, just based on what visitors tell them. URL: http://www.solipmission.com Contact: dadara@dadara.nl
    Duncan-Rawlinson-Photo-443896-Burnin...jpg
  • Solipmission - An Initiation Into Future Realities by: Dadara from: Amsterdam, Netherlands year: 2017<br />
<br />
A small crew of artists will be locked up inside a black box for the entire week of the event. They will create a virtual Burning Man on the inside walls without ever viewing the outside, just based on what visitors tell them. URL: http://www.solipmission.com Contact: dadara@dadara.nl
    Duncan-Rawlinson-Photo-443894-Burnin...jpg
  • Solipmission - An Initiation Into Future Realities by: Dadara from: Amsterdam, Netherlands year: 2017<br />
<br />
A small crew of artists will be locked up inside a black box for the entire week of the event. They will create a virtual Burning Man on the inside walls without ever viewing the outside, just based on what visitors tell them. URL: http://www.solipmission.com Contact: dadara@dadara.nl
    Duncan-Rawlinson-Photo-443939-Burnin...jpg
  • Solipmission - An Initiation Into Future Realities by: Dadara from: Amsterdam, Netherlands year: 2017<br />
<br />
A small crew of artists will be locked up inside a black box for the entire week of the event. They will create a virtual Burning Man on the inside walls without ever viewing the outside, just based on what visitors tell them. URL: http://www.solipmission.com Contact: dadara@dadara.nl
    Duncan-Rawlinson-Photo-445037-Burnin...jpg
  • http://Duncan.co/bridge-into-fog
    Bridge Into Fog
  • https://Duncan.co/fallen-tree-in-st-lawrence-river
    Fallen Tree In St Lawrence River
  • http://Duncan.co/Burning-Man-2017<br />
<br />
Burning Man 2017 photo by Duncan Rawlinson
    Burning Man 2017 203.jpg
  • http://Duncan.co/Burning-Man-2017<br />
<br />
Burning Man 2017 photo by Duncan Rawlinson
    Burning Man 2017 117.jpg
  • http://Duncan.co/Burning-Man-2017<br />
<br />
Burning Man 2017 photo by Duncan Rawlinson
    Burning Man 2017 110.jpg
  • http://Duncan.co/Burning-Man-2017<br />
<br />
Burning Man 2017 photo by Duncan Rawlinson
    Burning Man 2017 111.jpg
  • http://Duncan.co/Burning-Man-2017<br />
<br />
Burning Man 2017 photo by Duncan Rawlinson
    Burning Man 2017 109.jpg
  • http://Duncan.co/Burning-Man-2017<br />
<br />
Burning Man 2017 photo by Duncan Rawlinson
    Burning Man 2017 108.jpg
  • http://Duncan.co/Burning-Man-2017<br />
<br />
Burning Man 2017 photo by Duncan Rawlinson
    Burning Man 2017 107.jpg
  • http://Duncan.co/Burning-Man-2017<br />
<br />
Burning Man 2017 photo by Duncan Rawlinson
    Burning Man 2017 112.jpg
  • http://Duncan.co/bentonite-formation
    Bentonite Formations
  • When you run into campmates having a great time.
    Duncan-Rawlinson-Photo-587587-Burnin...jpg
  • Long View, a polar bear stands in the desert by: Don Kennell and Arctic Burn 505 from: Santa Fe, NM year: 2018<br />
<br />
A 34 foot polar bear made from white car hoods looks across the boundless vista of Black Rock City. The polar bear is an unlikely visitor to the Playa made from materials transformed from another time and place. Manifesting forces of climate change, she is searching for allies. Taking the “Long View” is crucial to survival. Combining content and joy, we ask the viewer to develop a relationship with the animal. Polar bears help humans imagine a faraway place, a place most will never visit. They are uniquely positioned as ambassadors to bring the arctic into human awareness. Animals disappear to make room for our cars. Turning wrecked cars into monumental animals visually reverses this process and impacts the consciousness of the viewer. Contact: arcticburn505@gmail.com
    Duncan-Rawlinson-Photo-521214-Burnin...jpg
  • Catacomb of Veils Build from: San Francisco, CA year: 2016<br />
<br />
Catacomb rises like a rocky outcropping off the desert floor, evoking Black Rock Point itself. It is a ruin of a previous society– a remnant of our collective search for moments of quiet, introspection and reflection. It is a journey of discovery and a descent into a subterranean world. A path winds up to the Narthex at the eastern Pyramid and from this vantage point, the inward descent begins. Ancient relics of a collective history grace the walls as shafts of light illuminate effigies and offerings. These are moments in our primeval memory, inviting us further downward and inward into ourselves. The journey culminates in an inner sanctum– a sanctuary of veils– a confluence of concealment, revelation and sublime beauty. URL: https://www.facebook.com/CatacombOfVeils
    Duncan-Rawlinson-Photo-305905-Burnin...jpg
  • Life Cube Project Burn from: Dobbs Ferry, NY year: 2015<br />
<br />
The Life Cube is an engaging, interactive, art-driven environment for the expression of goals, dreams, wishes, and aspirations. Citizens of BRC inscribe their thoughts on message-walls and on wish-stick postcards deposited into the Cube. In the spectacular finale, the Cube and all the wishes are burned and sent out together into the universe. The Life Cube features a 24’ high architectural design with stairs, pillars, mirrors, posts, and high places inviting Playa visitors to walk through, climb, hang-out, touch and interact. The community can express themselves on write-boards, contribute to the tapestry wall, and watch painters creating collaborative murals all week long. At night the cube takes on new life with spectacular lighting that enhances the drama: wall-washers, spots, strobes, lasers, and psychedelic lights add brilliant color that changes interior rooms and spaces, sending rainbows across the dark Playa landscape and illuminating the art and people around the Cube. URL: http://www.lifecubeproject.com Contact: thelifecube@gmail.com
    Duncan-Rawlinson-Photo-259503-Burnin...jpg
  • Fragments, 2019<br />
by: Marc Ippon de Ronda<br />
from: Paris, France<br />
year: 2019<br />
<br />
“Fragments” by French artist Marc Ippon de Ronda has been designed for Burning Man 2019. Where the artist turns an old Black Rock Desert legend into reality.<br />
<br />
The installation plays with the illusion of appearances and our ever-changing perception of self and surroundings, a recurring theme in de Ronda’s work. During the day Burners see their reflections evolve inside the fragmented mirrors as they move through the sand winds and find shelter in its corners and covers. At sunrise and sunset the installation invites for meditation. Burners ascend and descend the central staircase experiencing a golden hue of warmth from the sun. At night, “Fragments” shifts again into abstract LED surfaces creating a magical apparition in the desert darkness.<br />
<br />
URL: https://fragmentsart.org<br />
Contact: contact@fragmentsart.org<br />
<br />
<br />
https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AW2JUAW
    492-Duncan-Rawlinson-Photo-589045-Bu...jpg
  • Fragments, 2019 by: Marc Ippon de Ronda from: Paris, France year: 2019<br />
<br />
“Fragments” by French artist Marc Ippon de Ronda has been designed for Burning Man 2019. Where the artist turns an old Black Rock Desert legend into reality. The installation plays with the illusion of appearances and our ever-changing perception of self and surroundings, a recurring theme in de Ronda’s work. During the day Burners see their reflections evolve inside the fragmented mirrors as they move through the sand winds and find shelter in its corners and covers. At sunrise and sunset the installation invites for meditation. Burners ascend and descend the central staircase experiencing a golden hue of warmth from the sun. At night, “Fragments” shifts again into abstract LED surfaces creating a magical apparition in the desert darkness. URL: https://fragmentsart.org Contact: contact@fragmentsart.org
    Duncan-Rawlinson-Photo-589043-Burnin...jpg
  • Freedom Killed Lady Liberty by: Sy Van Tran and Houston Burners from: Houston, TX year: 2018<br />
<br />
The large scale installation of the Statue of Liberty gunned down and holding up her heart asks Participants to ponder the meaning of Freedom Killed Lady Liberty. Seeing the icon of lady liberty illustrated in this manner startles the viewers into taking notice. It asks viewers to think about gun issues from an emotional and compassionate perspective rather than the standard partisan talking points we often hear in the media. It puts a serious topic into a unique perspective for Participants, stirring emotions, and invoking deeper thoughts, questioning the meaning and purpose of the Second Amendment and what it means to be free. URL: http://www.houstonburners.com Contact: syvantran@gmail.com
    Duncan-Rawlinson-Photo-518715-Burnin...jpg
  • Burner Climbing The Catacomb of Veils from: San Francisco, CA year: 2016<br />
<br />
Catacomb rises like a rocky outcropping off the desert floor, evoking Black Rock Point itself. It is a ruin of a previous society– a remnant of our collective search for moments of quiet, introspection and reflection. It is a journey of discovery and a descent into a subterranean world.<br />
<br />
A path winds up to the Narthex at the eastern Pyramid and from this vantage point, the inward descent begins. Ancient relics of a collective history grace the walls as shafts of light illuminate effigies and offerings. These are moments in our primeval memory, inviting us further downward and inward into ourselves. The journey culminates in an inner sanctum– a sanctuary of veils– a confluence of concealment, revelation and sublime beauty. URL: https://www.facebook.com/CatacombOfVeils
    Duncan-Rawlinson-Photo-309488-Burnin...jpg
  • Burner Climbing The Catacomb of Veils from: San Francisco, CA year: 2016<br />
<br />
Catacomb rises like a rocky outcropping off the desert floor, evoking Black Rock Point itself. It is a ruin of a previous society– a remnant of our collective search for moments of quiet, introspection and reflection. It is a journey of discovery and a descent into a subterranean world.<br />
<br />
A path winds up to the Narthex at the eastern Pyramid and from this vantage point, the inward descent begins. Ancient relics of a collective history grace the walls as shafts of light illuminate effigies and offerings. These are moments in our primeval memory, inviting us further downward and inward into ourselves. The journey culminates in an inner sanctum– a sanctuary of veils– a confluence of concealment, revelation and sublime beauty. URL: https://www.facebook.com/CatacombOfVeils
    Duncan-Rawlinson-Photo-309453-Burnin...jpg
  • Burner Climbing The Catacomb of Veils from: San Francisco, CA year: 2016<br />
<br />
Catacomb rises like a rocky outcropping off the desert floor, evoking Black Rock Point itself. It is a ruin of a previous society– a remnant of our collective search for moments of quiet, introspection and reflection. It is a journey of discovery and a descent into a subterranean world.<br />
<br />
A path winds up to the Narthex at the eastern Pyramid and from this vantage point, the inward descent begins. Ancient relics of a collective history grace the walls as shafts of light illuminate effigies and offerings. These are moments in our primeval memory, inviting us further downward and inward into ourselves. The journey culminates in an inner sanctum– a sanctuary of veils– a confluence of concealment, revelation and sublime beauty. URL: https://www.facebook.com/CatacombOfVeils
    Duncan-Rawlinson-Photo-309432-Burnin...jpg
  • Roshanai (Illuminate) by Charles Gadeken from: San Francisco, CA year: 2016<br />
<br />
ROSHANAI is a path of enlightenment, shifting colors in static form. Along this corridor, perspective changes and opposites unite. Islamic mathematical art is married to the great Western landscape, serenaded with the voice of your heart and the whisper of the Playa.<br />
ROSHANAI comprises two double-walled panels that create a 108-ft long tunnel of light and sound with a 3-ft corridor. The sides of the hallway rise from 8-ft tall at the ends to 12-ft tall at the apex in the middle. Simultaneously, the panels sink into the ground to form a shallow valley. Fractal arrangements of Islamic geometric patterns are cut into the outside panels, lit from within to illuminate the patterns and cast fantastic night shadows. The entrances will be 16-ft tall gates inspired by the Great Mosque of Isfahan in Iran, pointed arches filled with sacred geometry. The inside walls are smooth and lit in solid colors by daylight-visible LED spotlights embedded in the edges of the floor. URL: http://www.charlesgadeken.com/roshanai
    Duncan-Rawlinson-Photo-307279-Burnin...jpg
  • Catacomb of Veils Build from: San Francisco, CA year: 2016<br />
<br />
Catacomb rises like a rocky outcropping off the desert floor, evoking Black Rock Point itself. It is a ruin of a previous society– a remnant of our collective search for moments of quiet, introspection and reflection. It is a journey of discovery and a descent into a subterranean world. A path winds up to the Narthex at the eastern Pyramid and from this vantage point, the inward descent begins. Ancient relics of a collective history grace the walls as shafts of light illuminate effigies and offerings. These are moments in our primeval memory, inviting us further downward and inward into ourselves. The journey culminates in an inner sanctum– a sanctuary of veils– a confluence of concealment, revelation and sublime beauty. URL: https://www.facebook.com/CatacombOfVeils
    Duncan-Rawlinson-Photo-306589-Burnin...jpg
  • Catacomb of Veils Build from: San Francisco, CA year: 2016<br />
<br />
Catacomb rises like a rocky outcropping off the desert floor, evoking Black Rock Point itself. It is a ruin of a previous society– a remnant of our collective search for moments of quiet, introspection and reflection. It is a journey of discovery and a descent into a subterranean world. A path winds up to the Narthex at the eastern Pyramid and from this vantage point, the inward descent begins. Ancient relics of a collective history grace the walls as shafts of light illuminate effigies and offerings. These are moments in our primeval memory, inviting us further downward and inward into ourselves. The journey culminates in an inner sanctum– a sanctuary of veils– a confluence of concealment, revelation and sublime beauty. URL: https://www.facebook.com/CatacombOfVeils
    Duncan-Rawlinson-Photo-305353-Burnin...jpg
  • Life Cube Project from: Dobbs Ferry, NY year: 2015<br />
<br />
The Life Cube is an engaging, interactive, art-driven environment for the expression of goals, dreams, wishes, and aspirations. Citizens of BRC inscribe their thoughts on message-walls and on wish-stick postcards deposited into the Cube. In the spectacular finale, the Cube and all the wishes are burned and sent out together into the universe. The Life Cube features a 24’ high architectural design with stairs, pillars, mirrors, posts, and high places inviting Playa visitors to walk through, climb, hang-out, touch and interact. The community can express themselves on write-boards, contribute to the tapestry wall, and watch painters creating collaborative murals all week long. At night the cube takes on new life with spectacular lighting that enhances the drama: wall-washers, spots, strobes, lasers, and psychedelic lights add brilliant color that changes interior rooms and spaces, sending rainbows across the dark Playa landscape and illuminating the art and people around the Cube. URL: http://www.lifecubeproject.com Contact: thelifecube@gmail.com
    Duncan-Rawlinson-Photo-262729-Burnin...jpg
  • Minaret by: Bryan Tedrick from: glen ellen, CA year: 2014<br />
<br />
Minaret is a beacon guiding people. It is also a sanctuary to climb into and rise above the fray. It is a power spot suggestive of a totem, spinal cord, and mushroom all rolled into one. Contact: tedrickart@sbcglobal.net
    Duncan-Rawlinson-Photo-106337-Burnin...jpg
  • Island of Lost Buoys and Skywhale: The Not ShyWhale<br />
<br />
<br />
Island of Lost Buoys<br />
by: Lillian Heyward and The Island of Lost Buoys, a Create Change Project<br />
from: Bluffton, SC<br />
year: 2019<br />
<br />
On the playa is an Island, a wooden tree dominates the center made of recycled pallets, crates and drift wood. Leaves of sculpted plastic bottles rustle in the wind. Strung from a branch is a hammock made of fishing net attached to a ocean buoy marooned on the beach. Hanging from the branches are sea buoys and balls providing a place to write names or leave a message to those who will come after.<br />
<br />
Hanging from branches are bamboo wind chimes that softly clatter in the breeze. It is an island, a refuge, a place of calm and childhood in the stormy seas of life. It appears out of the playa as a mirage, the fantasy playground of youth. Discarded materials transform into an oasis, as our adult lives transform back to childhood. Bangarang!<br />
<br />
URL: http://www.createchangeproject.com<br />
Contact: islandoflostbuoys@gmail.com<br />
<br />
https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=B#a2I0V000001AVsTUAW<br />
<br />
<br />
<br />
Skywhale: The Not ShyWhale<br />
by: Blake Marcus, Chris Welch, Seven<br />
from: Amherst, MA<br />
year: 2019<br />
<br />
The SkyWhale is a life sized flying technicolor whale and she will kindle the flames of imagination and wonder within all who see, touch, and listen to the piece as she arrives into the dusty desert. She strives to open the possibility of using the sky as a 3-dimensional medium for art. In nature, water creatures live in a place physically below that of terrestrial humans, and they have been downstream of many harmful human activities. SkyWhale aims to show that there can be progress and she can help heal and transform the human relationship with Nature. In recognition of the metamorphosis theme, the SkyWhale will embody the transformation of a sea creature to dream that takes to the air.<br />
<br />
URL: https://www.instagram.com/skywhaleproject/<br />
Contact: theskywhaleproject@gmail.com<br />
<br />
https://burningman.org
    252-Duncan-Rawlinson-Photo-584657-Bu...jpg
  • The Little Schoolhouse of Hope and Fear by: Gratis from: Vista, CA year: 2018 <br />
<br />
If all you had was the rough detritus of war, the cheap rubble of constant calamity, what would you build with it? A bunker, a church, or a school? Would you create a place of hope or fear? Of the past or for the future?<br />
<br />
Hope rising up from a violent and chaotic past, Fear transformed into building blocks: found metal, often riddled by gunre, torn by the wind and baked by the desert sun are incorporated into this replica of the traditional “little red schoolhouse.” The Little Schoolhouse of Hope and Fear stands on the playa as a beacon to those who wish to teach a better way for the future, or to those ready to learn from the failures of the past. My Burning Man 2018 Photos:<br />
https://Duncan.co/Burning-Man-2018<br />
<br />
My Burning Man 2017 Photos:<br />
https://Duncan.co/Burning-Man-2017<br />
<br />
My Burning Man 2016 Photos:<br />
https://Duncan.co/Burning-Man-2016<br />
<br />
My Burning Man 2015 Photos:<br />
https://Duncan.co/Burning-Man-2015<br />
<br />
My Burning Man 2014 Photos:<br />
https://Duncan.co/Burning-Man-2014<br />
<br />
My Burning Man 2013 Photos:<br />
https://Duncan.co/Burning-Man-2013<br />
<br />
My Burning Man 2012 Photos:<br />
https://Duncan.co/Burning-Man-2012
    0130-Duncan-Rawlinson-Photo-516686-B...jpg
  • The Little Schoolhouse of Hope and Fear by: Gratis from: Vista, CA year: 2018 <br />
<br />
If all you had was the rough detritus of war, the cheap rubble of constant calamity, what would you build with it? A bunker, a church, or a school? Would you create a place of hope or fear? Of the past or for the future?<br />
<br />
Hope rising up from a violent and chaotic past, Fear transformed into building blocks: found metal, often riddled by gunre, torn by the wind and baked by the desert sun are incorporated into this replica of the traditional “little red schoolhouse.” The Little Schoolhouse of Hope and Fear stands on the playa as a beacon to those who wish to teach a better way for the future, or to those ready to learn from the failures of the past. My Burning Man 2018 Photos:<br />
https://Duncan.co/Burning-Man-2018<br />
<br />
My Burning Man 2017 Photos:<br />
https://Duncan.co/Burning-Man-2017<br />
<br />
My Burning Man 2016 Photos:<br />
https://Duncan.co/Burning-Man-2016<br />
<br />
My Burning Man 2015 Photos:<br />
https://Duncan.co/Burning-Man-2015<br />
<br />
My Burning Man 2014 Photos:<br />
https://Duncan.co/Burning-Man-2014<br />
<br />
My Burning Man 2013 Photos:<br />
https://Duncan.co/Burning-Man-2013<br />
<br />
My Burning Man 2012 Photos:<br />
https://Duncan.co/Burning-Man-2012
    0128-Duncan-Rawlinson-Photo-516684-B...jpg
  • The Little Schoolhouse of Hope and Fear by: Gratis from: Vista, CA year: 2018 <br />
<br />
If all you had was the rough detritus of war, the cheap rubble of constant calamity, what would you build with it? A bunker, a church, or a school? Would you create a place of hope or fear? Of the past or for the future?<br />
<br />
Hope rising up from a violent and chaotic past, Fear transformed into building blocks: found metal, often riddled by gunre, torn by the wind and baked by the desert sun are incorporated into this replica of the traditional “little red schoolhouse.” The Little Schoolhouse of Hope and Fear stands on the playa as a beacon to those who wish to teach a better way for the future, or to those ready to learn from the failures of the past. My Burning Man 2018 Photos:<br />
https://Duncan.co/Burning-Man-2018<br />
<br />
My Burning Man 2017 Photos:<br />
https://Duncan.co/Burning-Man-2017<br />
<br />
My Burning Man 2016 Photos:<br />
https://Duncan.co/Burning-Man-2016<br />
<br />
My Burning Man 2015 Photos:<br />
https://Duncan.co/Burning-Man-2015<br />
<br />
My Burning Man 2014 Photos:<br />
https://Duncan.co/Burning-Man-2014<br />
<br />
My Burning Man 2013 Photos:<br />
https://Duncan.co/Burning-Man-2013<br />
<br />
My Burning Man 2012 Photos:<br />
https://Duncan.co/Burning-Man-2012
    0127-Duncan-Rawlinson-Photo-516682-B...jpg
  • The Little Schoolhouse of Hope and Fear by: Gratis from: Vista, CA year: 2018 <br />
<br />
If all you had was the rough detritus of war, the cheap rubble of constant calamity, what would you build with it? A bunker, a church, or a school? Would you create a place of hope or fear? Of the past or for the future?<br />
<br />
Hope rising up from a violent and chaotic past, Fear transformed into building blocks: found metal, often riddled by gunre, torn by the wind and baked by the desert sun are incorporated into this replica of the traditional “little red schoolhouse.” The Little Schoolhouse of Hope and Fear stands on the playa as a beacon to those who wish to teach a better way for the future, or to those ready to learn from the failures of the past. My Burning Man 2018 Photos:<br />
https://Duncan.co/Burning-Man-2018<br />
<br />
My Burning Man 2017 Photos:<br />
https://Duncan.co/Burning-Man-2017<br />
<br />
My Burning Man 2016 Photos:<br />
https://Duncan.co/Burning-Man-2016<br />
<br />
My Burning Man 2015 Photos:<br />
https://Duncan.co/Burning-Man-2015<br />
<br />
My Burning Man 2014 Photos:<br />
https://Duncan.co/Burning-Man-2014<br />
<br />
My Burning Man 2013 Photos:<br />
https://Duncan.co/Burning-Man-2013<br />
<br />
My Burning Man 2012 Photos:<br />
https://Duncan.co/Burning-Man-2012
    0126-Duncan-Rawlinson-Photo-516679-B...jpg
  • Duane captures his mutant vehicle Rabid Transit at Reared In Steel's Fire Kethedral by: Reared In Steel from: Petaluma, CA year: 2019<br />
<br />
The Fire Kethedral will resemble a cathedral organ as a colossal fire instrument – a shrine to fire. The structure will be fabricated from steel tubing and CNC cut sheet metal standing forty feet tall and fifty feet long. The Fire Kethedral will be an ornate and powerful instrument capable of choreographing fire as music through a full keyboard as an instrumentalist plays sitting on an ornately decorated piano bench. Pipes mounted into the structure will shoot fire up into the air coordinated with every keystroke. The Kethedral will be adorned with stained glass lighted by flame rail pilots creating a tabernacle of fire and light. LED lighting will amplify the visual effect of the fire and sound.
    Duncan-Rawlinson-Photo-591981-Burnin...jpg
  • Iron Horses Galore by: Adrian Landon from: NEW YORK, NY year: 2018<br />
<br />
Metal sculptor Adrian Landon brings forth to you his expression, through steel and blood sweat and tears in the making, of his experience and close connection to the incredible and unique majestic animal that most people once knew, the symbiotic relationship with horses. One can feel the energy by looking into the eyes of these creations, the energy of these powerful beasts, and the energy that was put into their making, hours of pounding sheet metal by hand and with machines that the artist designed and built himself. Landon has been sculpting for 10 years now, beginning in New York City and is honored to be able to bring these works to one of the greatest and most real art gatherings of all time. URL: http://adrianlandon.com/adrian/sculpture.html Contact: adrianlandon@hotmail.com
    Duncan-Rawlinson-Photo-517152-Burnin...jpg
  • HYBYCOZO - Heart of Gold from: San Francisco, CA year: 2016<br />
<br />
Sculpture 1- The Improbability Drive will consist of an all-pipe skeletal frame connecting into a mirrored hypercube shape made of mirror. The inside shape, a rhombic dodecahedron, has an optical illusion that looks like 3 different shapes in 3 different perspectives. The mirror shape on the inside will reflect the outside edges, creating a 4D dimensional hypercube effect. Sculpture 2- The Heart of Gold – will consist of a skeletal frame of a rhombic triactohedron and from its top-most point will hang a super intricate laser cut HYBYCOZO sculpture that will cast shadows far into the playa. This outer skeletal shape is the most complex shape that DaVinci drew and will form a super fun dome-like jungle gym. Sculpture 3- Hyperspace Bypass- A stacked set of 11 HYBYCOZO rhombic dodecahedrons shapes set on top of each other tessellating perfectly in 3D space. Its form is reminiscent of an iceberg or a 4D pyramid. In the day it will looking like a gleaming gold multifactored pyramid. URL: http://www.hybycozo.com Contact: hybycozo@gmail.com
    Duncan-Rawlinson-Photo-305970-Burnin...jpg
  • Life Cube Project from: Dobbs Ferry, NY year: 2015<br />
<br />
The Life Cube is an engaging, interactive, art-driven environment for the expression of goals, dreams, wishes, and aspirations. Citizens of BRC inscribe their thoughts on message-walls and on wish-stick postcards deposited into the Cube. In the spectacular finale, the Cube and all the wishes are burned and sent out together into the universe. The Life Cube features a 24’ high architectural design with stairs, pillars, mirrors, posts, and high places inviting Playa visitors to walk through, climb, hang-out, touch and interact. The community can express themselves on write-boards, contribute to the tapestry wall, and watch painters creating collaborative murals all week long. At night the cube takes on new life with spectacular lighting that enhances the drama: wall-washers, spots, strobes, lasers, and psychedelic lights add brilliant color that changes interior rooms and spaces, sending rainbows across the dark Playa landscape and illuminating the art and people around the Cube. URL: http://www.lifecubeproject.com Contact: thelifecube@gmail.com
    Duncan-Rawlinson-Photo-262725-Burnin...jpg
  • Life Cube Project from: Dobbs Ferry, NY year: 2015<br />
<br />
The Life Cube is an engaging, interactive, art-driven environment for the expression of goals, dreams, wishes, and aspirations. Citizens of BRC inscribe their thoughts on message-walls and on wish-stick postcards deposited into the Cube. In the spectacular finale, the Cube and all the wishes are burned and sent out together into the universe. The Life Cube features a 24’ high architectural design with stairs, pillars, mirrors, posts, and high places inviting Playa visitors to walk through, climb, hang-out, touch and interact. The community can express themselves on write-boards, contribute to the tapestry wall, and watch painters creating collaborative murals all week long. At night the cube takes on new life with spectacular lighting that enhances the drama: wall-washers, spots, strobes, lasers, and psychedelic lights add brilliant color that changes interior rooms and spaces, sending rainbows across the dark Playa landscape and illuminating the art and people around the Cube. URL: http://www.lifecubeproject.com Contact: thelifecube@gmail.com
    Duncan-Rawlinson-Photo-262335-Burnin...jpg
  • SACRA<br />
by: Kirsten Berg<br />
from: Berkeley, CA/Bali, Indonesia<br />
year: 2019<br />
<br />
Sacra is a totemic gateway, symbolizing a pivotal point between infinite and finite. The sacrum (= ‘holy bone’) is the first gateway through which we metamorphize from space to substance, into the wordly realm. It is also the last bone that disintegrates, holding ritual significance in ancient cultures, as a reminder of the past and future passage that we all share. Sacra’s focal point is a ‘sacral object’, embedded with convex mirrors reflecting our shared cellular origins; a bowed gate like a funnel for source into form; a silhouette echoing Japanese torii gates, which traditionally indicate a passage between the profane/worldly plane to the sacred. “Sacra” mirrors that journey, literally and poetically, in reverse and also ‘in between’.<br />
<br />
URL: https://www.kirstenberg.com<br />
Contact: kberginfo@gmail.com<br />
<br />
https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=B#a2I0V000001TAJBUA4
    533-Duncan-Rawlinson-Photo-589822-Bu...jpg
  • The Little Schoolhouse of Hope and Fear by: Gratis from: Vista, CA year: 2018 <br />
<br />
If all you had was the rough detritus of war, the cheap rubble of constant calamity, what would you build with it? A bunker, a church, or a school? Would you create a place of hope or fear? Of the past or for the future?<br />
<br />
Hope rising up from a violent and chaotic past, Fear transformed into building blocks: found metal, often riddled by gunre, torn by the wind and baked by the desert sun are incorporated into this replica of the traditional “little red schoolhouse.” The Little Schoolhouse of Hope and Fear stands on the playa as a beacon to those who wish to teach a better way for the future, or to those ready to learn from the failures of the past. My Burning Man 2018 Photos:<br />
https://Duncan.co/Burning-Man-2018<br />
<br />
My Burning Man 2017 Photos:<br />
https://Duncan.co/Burning-Man-2017<br />
<br />
My Burning Man 2016 Photos:<br />
https://Duncan.co/Burning-Man-2016<br />
<br />
My Burning Man 2015 Photos:<br />
https://Duncan.co/Burning-Man-2015<br />
<br />
My Burning Man 2014 Photos:<br />
https://Duncan.co/Burning-Man-2014<br />
<br />
My Burning Man 2013 Photos:<br />
https://Duncan.co/Burning-Man-2013<br />
<br />
My Burning Man 2012 Photos:<br />
https://Duncan.co/Burning-Man-2012
    0131-Duncan-Rawlinson-Photo-516693-B...jpg
  • The Little Schoolhouse of Hope and Fear by: Gratis from: Vista, CA year: 2018 <br />
<br />
If all you had was the rough detritus of war, the cheap rubble of constant calamity, what would you build with it? A bunker, a church, or a school? Would you create a place of hope or fear? Of the past or for the future?<br />
<br />
Hope rising up from a violent and chaotic past, Fear transformed into building blocks: found metal, often riddled by gunre, torn by the wind and baked by the desert sun are incorporated into this replica of the traditional “little red schoolhouse.” The Little Schoolhouse of Hope and Fear stands on the playa as a beacon to those who wish to teach a better way for the future, or to those ready to learn from the failures of the past. My Burning Man 2018 Photos:<br />
https://Duncan.co/Burning-Man-2018<br />
<br />
My Burning Man 2017 Photos:<br />
https://Duncan.co/Burning-Man-2017<br />
<br />
My Burning Man 2016 Photos:<br />
https://Duncan.co/Burning-Man-2016<br />
<br />
My Burning Man 2015 Photos:<br />
https://Duncan.co/Burning-Man-2015<br />
<br />
My Burning Man 2014 Photos:<br />
https://Duncan.co/Burning-Man-2014<br />
<br />
My Burning Man 2013 Photos:<br />
https://Duncan.co/Burning-Man-2013<br />
<br />
My Burning Man 2012 Photos:<br />
https://Duncan.co/Burning-Man-2012
    0129-Duncan-Rawlinson-Photo-516685-B...jpg
  • The Little Schoolhouse of Hope and Fear by: Gratis from: Vista, CA year: 2018 <br />
<br />
If all you had was the rough detritus of war, the cheap rubble of constant calamity, what would you build with it? A bunker, a church, or a school? Would you create a place of hope or fear? Of the past or for the future?<br />
<br />
Hope rising up from a violent and chaotic past, Fear transformed into building blocks: found metal, often riddled by gunre, torn by the wind and baked by the desert sun are incorporated into this replica of the traditional “little red schoolhouse.” The Little Schoolhouse of Hope and Fear stands on the playa as a beacon to those who wish to teach a better way for the future, or to those ready to learn from the failures of the past. My Burning Man 2018 Photos:<br />
https://Duncan.co/Burning-Man-2018<br />
<br />
My Burning Man 2017 Photos:<br />
https://Duncan.co/Burning-Man-2017<br />
<br />
My Burning Man 2016 Photos:<br />
https://Duncan.co/Burning-Man-2016<br />
<br />
My Burning Man 2015 Photos:<br />
https://Duncan.co/Burning-Man-2015<br />
<br />
My Burning Man 2014 Photos:<br />
https://Duncan.co/Burning-Man-2014<br />
<br />
My Burning Man 2013 Photos:<br />
https://Duncan.co/Burning-Man-2013<br />
<br />
My Burning Man 2012 Photos:<br />
https://Duncan.co/Burning-Man-2012
    0125-Duncan-Rawlinson-Photo-516678-B...jpg
  • Chapel of the Chimes<br />
by: Infinity Gathered<br />
from: Washington, D.C.<br />
year: 2019<br />
<br />
You happen upon this beautiful and curvaceous hand-cut building of wood and steel chimes. The love and care that went into each cut is visable. The Chapel of the Chimes awaits you.<br />
<br />
The love poured into the structure makes it a perfect place to have a ceremony with loved ones. There is an arch inside and platform to stand. Share your vows, commitments, and devotion here.<br />
<br />
You may also simply take shelter here from the hot sun and relax to the sound of the wind breezing through, giving the wind a different voice and experience. The chimes harmonize and sing you a song you’ve not yet heard.<br />
<br />
Come and learn of the playa-adjacent origins of the structure! It has quite a story to share. Come early, it burns before the end of the event!<br />
<br />
URL: http://www.infinitygathered.com<br />
<br />
https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=B#a2I0V000001AXizUAG<br />
<br />
(Thanks to reddit user <a href="https://www.reddit.com/r/BurningMan/comments/djq4fw/872_of_my_photos_from_burning_man_2019/f47tb3d/">sachin571</a> for the caption update)
    290-Duncan-Rawlinson-Photo-585086-Bu...jpg
  • Chapel of the Chimes<br />
by: Infinity Gathered<br />
from: Washington, D.C.<br />
year: 2019<br />
<br />
You happen upon this beautiful and curvaceous hand-cut building of wood and steel chimes. The love and care that went into each cut is visable. The Chapel of the Chimes awaits you.<br />
<br />
The love poured into the structure makes it a perfect place to have a ceremony with loved ones. There is an arch inside and platform to stand. Share your vows, commitments, and devotion here.<br />
<br />
You may also simply take shelter here from the hot sun and relax to the sound of the wind breezing through, giving the wind a different voice and experience. The chimes harmonize and sing you a song you’ve not yet heard.<br />
<br />
Come and learn of the playa-adjacent origins of the structure! It has quite a story to share. Come early, it burns before the end of the event!<br />
<br />
URL: http://www.infinitygathered.com<br />
<br />
https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=B#a2I0V000001AXizUAG<br />
<br />
(Thanks to reddit user <a href="https://www.reddit.com/r/BurningMan/comments/djq4fw/872_of_my_photos_from_burning_man_2019/f47tb3d/">sachin571</a> for the caption update)
    289-Duncan-Rawlinson-Photo-585082-Bu...jpg
  • Compound Eye/"I" from: Newark, CA year: 2015<br />
<br />
Compound I” glistens like a totemic pillar of eyeballs as light undulates over its multifaceted orbs. Mirrored spheres, surfaced with lens-like convex mirrors, stack one atop the other to a height of 18’, referencing compound eyes of insects, forms of Buddha heads and the Mandelbrot fractal at once.<br />
<br />
Circling around “Compound I”, reflected light follows us…as if we are being watched. Looking into the shifting centers of the glistening lenses, we meet our own gaze. As we realize it is our own sight and form that animates these pupils, our sense of separate-ness from the art is challenged.<br />
<br />
Stepping away, we see our image simultaneously contract/overlap with everyone else’ onto the mosaic globes before us- a composite of shared reflection.<br />
<br />
The eye as instrument of reflection and the ‘I’ as object of reflection; boundaries blur between perspectives of inner and outer, personal and collective, to convey a picture of interconnectedness, with us as facets of a compound ” I “. URL: http://www.kirstenberg.com/compound-eyei/ Contact: kberginfo@gmail.com
    Duncan-Rawlinson-Photo-259415-Burnin...jpg
  • Airfield for walking in the clouds<br />
by: Weld Queen<br />
from: Moscow, Russia<br />
year: 2019<br />
<br />
“Airfield for walking in the clouds” is a model of a fantasy airfield with ten dream-liners “Armchairs for walking in the clouds.”<br />
The project is a large-scale interactive installation where people will be sitting and swinging in the “Armchairs for walking in the clouds” where they will be able to “break away” from the ground and be closer to their dreams. “Airfield for walking in the clouds” is a place where people can go on their own journey into the depths of their inner space.<br />
<br />
URL: http://weldqueen.com/project/airfield-for-walking-in-the-clouds/<br />
Contact: info@weldqueen.com<br />
<br />
https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=B#a2I0V000001TAiBUAW
    587-Duncan-Rawlinson-Photo-590545-Bu...jpg
  • The Temple of Direction<br />
by: Geordie Van Der Bosch<br />
from: San Francisco, CA<br />
year: 2019<br />
<br />
The Temple of Direction is organized linearly. It recreates a restricted passage which expands in the center into a large hall. This is a response to the openness of the playa; it creates a space traveled end to end; versus wandering an open plan; this temple provides direction and focus. Linearity also reflects the passage of life; all lives have a beginning, a middle and an end which metaphorically is included in this temple’s form. Following this metaphor a variety of spaces are created; narrow spaces and wide spaces, dark spaces and bright spaces. Tunnels create intimate experiences with shade.. A large central hall expands in width and height providing a bright area suitable for gatherings.<br />
<br />
URL: https://www.templeofdirection.org<br />
Contact: templeofdirection@gmail.com<br />
<br />
https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V00000167U9UAI
    391-Duncan-Rawlinson-Photo-586868-Bu...jpg
  • The Temple of Direction<br />
by: Geordie Van Der Bosch<br />
from: San Francisco, CA<br />
year: 2019<br />
<br />
The Temple of Direction is organized linearly. It recreates a restricted passage which expands in the center into a large hall. This is a response to the openness of the playa; it creates a space traveled end to end; versus wandering an open plan; this temple provides direction and focus. Linearity also reflects the passage of life; all lives have a beginning, a middle and an end which metaphorically is included in this temple’s form. Following this metaphor a variety of spaces are created; narrow spaces and wide spaces, dark spaces and bright spaces. Tunnels create intimate experiences with shade.. A large central hall expands in width and height providing a bright area suitable for gatherings.<br />
<br />
URL: https://www.templeofdirection.org<br />
Contact: templeofdirection@gmail.com<br />
<br />
https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V00000167U9UAI My Burning Man 2019 Photos:<br />
https://Duncan.co/Burning-Man-2019<br />
<br />
My Burning Man 2018 Photos:<br />
https://Duncan.co/Burning-Man-2018<br />
<br />
My Burning Man 2017 Photos:<br />
https://Duncan.co/Burning-Man-2017<br />
<br />
My Burning Man 2016 Photos:<br />
https://Duncan.co/Burning-Man-2016<br />
<br />
My Burning Man 2015 Photos:<br />
https://Duncan.co/Burning-Man-2015<br />
<br />
My Burning Man 2014 Photos:<br />
https://Duncan.co/Burning-Man-2014<br />
<br />
My Burning Man 2013 Photos:<br />
https://Duncan.co/Burning-Man-2013<br />
<br />
My Burning Man 2012 Photos:<br />
https://Duncan.co/Burning-Man-2012
    235-Duncan-Rawlinson-Photo-584496-Bu...jpg
  • The Temple of Direction Build<br />
by: Geordie Van Der Bosch<br />
from: San Francisco, CA<br />
year: 2019<br />
<br />
The Temple of Direction is organized linearly. It recreates a restricted passage which expands in the center into a large hall. This is a response to the openness of the playa; it creates a space traveled end to end; versus wandering an open plan; this temple provides direction and focus. Linearity also reflects the passage of life; all lives have a beginning, a middle and an end which metaphorically is included in this temple’s form. Following this metaphor a variety of spaces are created; narrow spaces and wide spaces, dark spaces and bright spaces. Tunnels create intimate experiences with shade.. A large central hall expands in width and height providing a bright area suitable for gatherings.<br />
<br />
URL: https://www.templeofdirection.org<br />
Contact: templeofdirection@gmail.com<br />
<br />
https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V00000167U9UAI My Burning Man 2019 Photos:<br />
https://Duncan.co/Burning-Man-2019<br />
<br />
My Burning Man 2018 Photos:<br />
https://Duncan.co/Burning-Man-2018<br />
<br />
My Burning Man 2017 Photos:<br />
https://Duncan.co/Burning-Man-2017<br />
<br />
My Burning Man 2016 Photos:<br />
https://Duncan.co/Burning-Man-2016<br />
<br />
My Burning Man 2015 Photos:<br />
https://Duncan.co/Burning-Man-2015<br />
<br />
My Burning Man 2014 Photos:<br />
https://Duncan.co/Burning-Man-2014<br />
<br />
My Burning Man 2013 Photos:<br />
https://Duncan.co/Burning-Man-2013<br />
<br />
My Burning Man 2012 Photos:<br />
https://Duncan.co/Burning-Man-2012
    025-Duncan-Rawlinson-Photo-583354-Bu...jpg
  • Baba Yaga's House by: Jessi Sprocket Janusee and Baba Yaga's Book Club from: Reno, NV year: 2018<br />
<br />
The house of Baba Yaga will rise from the playa straddling it’s mechanical chicken legs. The crone’s house will be poised to run at the slightest provocation. Ascend her staircases to test the old witch if you dare. Are you able to walk through the veil of mortality into the space where the seer dwells? If you are strong of will, feeling bold and willing to show vulnerability she may allow you to venture within her sanctum.<br />
<br />
URL: http://jessisprocket.com/baba-yaga/
    1015-Duncan-Rawlinson-Photo-526448-B...jpg
  • Baba Yaga's House by: Jessi Sprocket Janusee and Baba Yaga's Book Club from: Reno, NV year: 2018<br />
<br />
The house of Baba Yaga will rise from the playa straddling it’s mechanical chicken legs. The crone’s house will be poised to run at the slightest provocation. Ascend her staircases to test the old witch if you dare. Are you able to walk through the veil of mortality into the space where the seer dwells? If you are strong of will, feeling bold and willing to show vulnerability she may allow you to venture within her sanctum.<br />
<br />
URL: http://jessisprocket.com/baba-yaga/ My Burning Man 2018 Photos:<br />
https://Duncan.co/Burning-Man-2018<br />
<br />
My Burning Man 2017 Photos:<br />
https://Duncan.co/Burning-Man-2017<br />
<br />
My Burning Man 2016 Photos:<br />
https://Duncan.co/Burning-Man-2016<br />
<br />
My Burning Man 2015 Photos:<br />
https://Duncan.co/Burning-Man-2015<br />
<br />
My Burning Man 2014 Photos:<br />
https://Duncan.co/Burning-Man-2014<br />
<br />
My Burning Man 2013 Photos:<br />
https://Duncan.co/Burning-Man-2013<br />
<br />
My Burning Man 2012 Photos:<br />
https://Duncan.co/Burning-Man-2012
    0081-Duncan-Rawlinson-Photo-515391-B...jpg
  • The Temple of Direction by: Geordie Van Der Bosch from: San Francisco, CA year: 2019<br />
<br />
The Temple of Direction is organized linearly. It recreates a restricted passage which expands in the center into a large hall. This is a response to the openness of the playa; it creates a space traveled end to end; versus wandering an open plan; this temple provides direction and focus. Linearity also reflects the passage of life; all lives have a beginning, a middle and an end which metaphorically is included in this temple’s form. Following this metaphor a variety of spaces are created; narrow spaces and wide spaces, dark spaces and bright spaces. Tunnels create intimate experiences with shade.. A large central hall expands in width and height providing a bright area suitable for gatherings. URL: https://www.templeofdirection.org Contact: templeofdirection@gmail.com
    Duncan-Rawlinson-Photo-589042-Burnin...jpg
  • The Temple of Direction by: Geordie Van Der Bosch from: San Francisco, CA year: 2019<br />
<br />
The Temple of Direction is organized linearly. It recreates a restricted passage which expands in the center into a large hall. This is a response to the openness of the playa; it creates a space traveled end to end; versus wandering an open plan; this temple provides direction and focus. Linearity also reflects the passage of life; all lives have a beginning, a middle and an end which metaphorically is included in this temple’s form. Following this metaphor a variety of spaces are created; narrow spaces and wide spaces, dark spaces and bright spaces. Tunnels create intimate experiences with shade.. A large central hall expands in width and height providing a bright area suitable for gatherings. URL: https://www.templeofdirection.org Contact: templeofdirection@gmail.com
    Duncan-Rawlinson-Photo-586374-Burnin...jpg
  • The Temple of Direction by: Geordie Van Der Bosch from: San Francisco, CA year: 2019<br />
<br />
The Temple of Direction is organized linearly. It recreates a restricted passage which expands in the center into a large hall. This is a response to the openness of the playa; it creates a space traveled end to end; versus wandering an open plan; this temple provides direction and focus. Linearity also reflects the passage of life; all lives have a beginning, a middle and an end which metaphorically is included in this temple’s form. Following this metaphor a variety of spaces are created; narrow spaces and wide spaces, dark spaces and bright spaces. Tunnels create intimate experiences with shade.. A large central hall expands in width and height providing a bright area suitable for gatherings. URL: https://www.templeofdirection.org Contact: templeofdirection@gmail.com
    Duncan-Rawlinson-Photo-586350-Burnin...jpg
  • Skywhale: The Not ShyWhale by: Blake Marcus, Chris Welch, Seven from: Amherst, MA year: 2019<br />
<br />
The SkyWhale is a life sized flying technicolor whale and she will kindle the flames of imagination and wonder within all who see, touch, and listen to the piece as she arrives into the dusty desert. She strives to open the possibility of using the sky as a 3-dimensional medium for art. In nature, water creatures live in a place physically below that of terrestrial humans, and they have been downstream of many harmful human activities. SkyWhale aims to show that there can be progress and she can help heal and transform the human relationship with Nature. In recognition of the metamorphosis theme, the SkyWhale will embody the transformation of a sea creature to dream that takes to the air. URL: https://www.instagram.com/skywhaleproject/ Contact: theskywhaleproject@gmail.com
    Duncan-Rawlinson-Photo-585534-Burnin...jpg
  • Stone 27 by: Benjamin Langholz from: California & Berlin, Germany year: 2019 Confront nature and yourself as you journey along 27 stones floating above the Playa. Step into an alternate reality where destructive energy has been harmonized with nature to create moments of physical and mental elevation. Stone 27 finds great inspiration in simplicity, minimalism, and math to create clearness and consciousness in a material world, inviting you to a moment of complete presence. URL: https://stonetwentyseven.com Contact: stonetwentyseven@gmail.com https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AVo2UAG
    Duncan-Rawlinson-Photo-583300-Burnin...jpg
  • The Temple of Direction by: Geordie Van Der Bosch from: San Francisco, CA year: 2019<br />
<br />
The Temple of Direction is organized linearly. It recreates a restricted passage which expands in the center into a large hall. This is a response to the openness of the playa; it creates a space traveled end to end; versus wandering an open plan; this temple provides direction and focus. Linearity also reflects the passage of life; all lives have a beginning, a middle and an end which metaphorically is included in this temple’s form. Following this metaphor a variety of spaces are created; narrow spaces and wide spaces, dark spaces and bright spaces. Tunnels create intimate experiences with shade.. A large central hall expands in width and height providing a bright area suitable for gatherings. URL: https://www.templeofdirection.org Contact: templeofdirection@gmail.com
    Duncan-Rawlinson-Photo-583212-Burnin...jpg
  • Galaxia by: Arthur Mamou-Mani from: London, United Kingdom year: 2018<br />
Galaxia celebrates hope in the unknown, stars, planets, black holes, the movement uniting us in swirling galaxies of dreams. A superior form of Gaia in Isaac Asimov’s Foundation series, Galaxia is the ultimate network, the fabric of the universe connecting living beings into one entity.<br />
Galaxia is shaped of 20 timber trusses converging as a spiral towards one point in the sky. The triangular trusses form dierent paths towards a central space holding a giant 3D printed mandala, the heart of Galaxia. The timber modules start large enough to hold small alcoves in which people can write in peace. As participants walk through the path, the timber modules lift up and become thinner and thinner towards the sky as people reach the central mandala.<br />
URL: https://mamou-mani.com
    Duncan-Rawlinson-Photo-528202-Burnin...jpg
  • Galaxia by: Arthur Mamou-Mani from: London, United Kingdom year: 2018<br />
Galaxia celebrates hope in the unknown, stars, planets, black holes, the movement uniting us in swirling galaxies of dreams. A superior form of Gaia in Isaac Asimov’s Foundation series, Galaxia is the ultimate network, the fabric of the universe connecting living beings into one entity.<br />
Galaxia is shaped of 20 timber trusses converging as a spiral towards one point in the sky. The triangular trusses form dierent paths towards a central space holding a giant 3D printed mandala, the heart of Galaxia. The timber modules start large enough to hold small alcoves in which people can write in peace. As participants walk through the path, the timber modules lift up and become thinner and thinner towards the sky as people reach the central mandala.<br />
URL: https://mamou-mani.com
    Duncan-Rawlinson-Photo-528167-Burnin...jpg
  • Galaxia burn by: Arthur Mamou-Mani from: London, United Kingdom year: 2018<br />
Galaxia celebrates hope in the unknown, stars, planets, black holes, the movement uniting us in swirling galaxies of dreams. A superior form of Gaia in Isaac Asimov’s Foundation series, Galaxia is the ultimate network, the fabric of the universe connecting living beings into one entity.<br />
Galaxia is shaped of 20 timber trusses converging as a spiral towards one point in the sky. The triangular trusses form dierent paths towards a central space holding a giant 3D printed mandala, the heart of Galaxia. The timber modules start large enough to hold small alcoves in which people can write in peace. As participants walk through the path, the timber modules lift up and become thinner and thinner towards the sky as people reach the central mandala.<br />
URL: https://mamou-mani.com
    Duncan-Rawlinson-Photo-527639-Burnin...jpg
  • Galaxia by: Arthur Mamou-Mani from: London, United Kingdom year: 2018<br />
Galaxia celebrates hope in the unknown, stars, planets, black holes, the movement uniting us in swirling galaxies of dreams. A superior form of Gaia in Isaac Asimov’s Foundation series, Galaxia is the ultimate network, the fabric of the universe connecting living beings into one entity.<br />
Galaxia is shaped of 20 timber trusses converging as a spiral towards one point in the sky. The triangular trusses form dierent paths towards a central space holding a giant 3D printed mandala, the heart of Galaxia. The timber modules start large enough to hold small alcoves in which people can write in peace. As participants walk through the path, the timber modules lift up and become thinner and thinner towards the sky as people reach the central mandala.<br />
URL: https://mamou-mani.com
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  • Baba Yaga’s House by: Jessi Sprocket Janusee and Baba Yaga’s Book Club from: Reno, NV year: 2018<br />
The house of Baba Yaga will rise from the playa straddling it’s mechanical chicken legs. The crone’s house will be poised to run at the slightest provocation. Ascend her staircases to test the old witch if you dare. Are you able to walk through the veil of mortality into the space where the seer dwells? If you are strong of will, feeling bold and willing to show vulnerability she may allow you to venture within her sanctum.<br />
URL: http://jessisprocket.com/baba-yaga/
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  • Ei Robot by: Spencer Edgerton, Launchpad Artspace at 3113 Studios, and Camp Deep Orbit from: Tucson, AZ year: 2018<br />
<br />
A robot sits on a box and carves ideas into steel balls. The finished openwork balls surround the main robot sculpture and glow with an inner light, projecting the image of their new decoration onto the ground around them. The box and robot are illuminated and decorated with sci-fi imagery. The box is about 8′ square. The 6′ robot sits on top. The Ei-Robot will emit sparks, sounds and movement as it creates new Art-spheres.The 3.5′ Art-spheres will be added nightly until they number 14. URL: http://www.ei-robot.com Contact: ideas@ei-robot.com
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  • Ei Robot by: Spencer Edgerton, Launchpad Artspace at 3113 Studios, and Camp Deep Orbit from: Tucson, AZ year: 2018<br />
<br />
A robot sits on a box and carves ideas into steel balls. The finished openwork balls surround the main robot sculpture and glow with an inner light, projecting the image of their new decoration onto the ground around them. The box and robot are illuminated and decorated with sci-fi imagery. The box is about 8′ square. The 6′ robot sits on top. The Ei-Robot will emit sparks, sounds and movement as it creates new Art-spheres.The 3.5′ Art-spheres will be added nightly until they number 14. URL: http://www.ei-robot.com Contact: ideas@ei-robot.com
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  • The Temple by: Marish Farnsworth and Steven Brummond from: Oakland, CA year: 2017<br />
<br />
The form of the Temple begins with life out of balance. Throughout the Sierra Nevada, species of pine trees are dying, compromised by a bark beetle which has proliferated due to human interruption of the cycle of forest fires, and climate change. The material of these trees, donated to our project, harvested and milled, becomes the basic building block of the Temple. Interlocking timber pieces in formation become a Temple that is both cloud and spire; inverted pyramidal columns suggest the negative-space of a forest canopy, simultaneously supporting a vast pagoda-like ‘cloud’ framework which in turn supports a central spire. In this way disorder gives way to harmony, and a group of dying trees is re-ordered into a cathedral of timbers stretching toward the sky; filtered sun rays will illuminate the intricate work of hundreds of hands building in unison; a collaboration that knits together a community as roots intertwine to give a healthy forest stability. URL: http://www.temple2017.org Contact: info@temple2017.org
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  • The Temple by: Marish Farnsworth and Steven Brummond from: Oakland, CA year: 2017<br />
<br />
The form of the Temple begins with life out of balance. Throughout the Sierra Nevada, species of pine trees are dying, compromised by a bark beetle which has proliferated due to human interruption of the cycle of forest fires, and climate change. The material of these trees, donated to our project, harvested and milled, becomes the basic building block of the Temple. Interlocking timber pieces in formation become a Temple that is both cloud and spire; inverted pyramidal columns suggest the negative-space of a forest canopy, simultaneously supporting a vast pagoda-like ‘cloud’ framework which in turn supports a central spire. In this way disorder gives way to harmony, and a group of dying trees is re-ordered into a cathedral of timbers stretching toward the sky; filtered sun rays will illuminate the intricate work of hundreds of hands building in unison; a collaboration that knits together a community as roots intertwine to give a healthy forest stability. URL: http://www.temple2017.org Contact: info@temple2017.org
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  • The Temple of Awareness by: Utah Builders Community from: Salt Lake City, UT year: 2017<br />
<br />
Temples offer environments for us to immerse ourselves into an unworldly place of harmony and peace. The Temple of Awareness is an organic form, similar to a pine cone. Seen from above, it evokes aspects of a bloomed lotus. The Temple is a 13-sided dome structure that is 35 ft. in diameter at the base. It has seven levels that reach 35 ft. high, each level with projecting decorative wings encircling it. From a distance, the wings create a feeling of lightness, while the dome as a whole conveys a rooted presence. Participants enter the Temple through one of thirteen sizable inverted “V” openings. Inside is a welcoming, vaulted, airy interior defined by a series of shrinking, concentric circles soaring overhead. The dome top is left uncovered to allow for the participant’s connection with the cosmos. The open interior design incorporates hundreds of shelves lining every wall, as well as several freestanding sub-altars that provide many niches and ledges for objects of remembrance. URL: http://www.utahbuilderscommunity.com Contact: utahbuilderscommunity@gmail.com
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  • The Temple of Awareness by: Utah Builders Community from: Salt Lake City, UT year: 2017<br />
<br />
Temples offer environments for us to immerse ourselves into an unworldly place of harmony and peace. The Temple of Awareness is an organic form, similar to a pine cone. Seen from above, it evokes aspects of a bloomed lotus. The Temple is a 13-sided dome structure that is 35 ft. in diameter at the base. It has seven levels that reach 35 ft. high, each level with projecting decorative wings encircling it. From a distance, the wings create a feeling of lightness, while the dome as a whole conveys a rooted presence. Participants enter the Temple through one of thirteen sizable inverted “V” openings. Inside is a welcoming, vaulted, airy interior defined by a series of shrinking, concentric circles soaring overhead. The dome top is left uncovered to allow for the participant’s connection with the cosmos. The open interior design incorporates hundreds of shelves lining every wall, as well as several freestanding sub-altars that provide many niches and ledges for objects of remembrance. URL: http://www.utahbuilderscommunity.com Contact: utahbuilderscommunity@gmail.com
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  • The Temple by: Marish Farnsworth and Steven Brummond from: Oakland, CA year: 2017<br />
<br />
The form of the Temple begins with life out of balance. Throughout the Sierra Nevada, species of pine trees are dying, compromised by a bark beetle which has proliferated due to human interruption of the cycle of forest fires, and climate change. The material of these trees, donated to our project, harvested and milled, becomes the basic building block of the Temple. Interlocking timber pieces in formation become a Temple that is both cloud and spire; inverted pyramidal columns suggest the negative-space of a forest canopy, simultaneously supporting a vast pagoda-like ‘cloud’ framework which in turn supports a central spire. In this way disorder gives way to harmony, and a group of dying trees is re-ordered into a cathedral of timbers stretching toward the sky; filtered sun rays will illuminate the intricate work of hundreds of hands building in unison; a collaboration that knits together a community as roots intertwine to give a healthy forest stability. URL: http://www.temple2017.org Contact: info@temple2017.org
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  • The Temple by: Marish Farnsworth and Steven Brummond from: Oakland, CA year: 2017<br />
<br />
The form of the Temple begins with life out of balance. Throughout the Sierra Nevada, species of pine trees are dying, compromised by a bark beetle which has proliferated due to human interruption of the cycle of forest fires, and climate change. The material of these trees, donated to our project, harvested and milled, becomes the basic building block of the Temple. Interlocking timber pieces in formation become a Temple that is both cloud and spire; inverted pyramidal columns suggest the negative-space of a forest canopy, simultaneously supporting a vast pagoda-like ‘cloud’ framework which in turn supports a central spire. In this way disorder gives way to harmony, and a group of dying trees is re-ordered into a cathedral of timbers stretching toward the sky; filtered sun rays will illuminate the intricate work of hundreds of hands building in unison; a collaboration that knits together a community as roots intertwine to give a healthy forest stability. URL: http://www.temple2017.org Contact: info@temple2017.org
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  • Phoenicopterus Rex: Welcome Home by: Josh Zubkoff from: San Francisco, CA year: 2017<br />
<br />
We are bringing our dream to life and that dream is a 40 foot tall flamingo! Inspired by Don Featherstone’s classic, Phoenicopterus Rex will feature climbable legs and a sitting area on the back of this massive lawn ornament. As an art piece, Phoenicopterus Rex is a physical manifestation of Americana pop-kitsch meets modern industry: all bubblegum pink, fiberglass and steel. It aims to make the familiar absurd, exciting participants with the iconic image and then drawing them in so that they may interact with the structure. In its final installed stages, fake grass and a white picket fence will surround the flamingo, transforming the immediate space into a hosted experience. The piece will be lit by spotlights mounted to the surrounding picket fence, to be a beautiful pink beacon in the night.
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  • Temple of Promise from: San Francisco Bay Area, CA year: 2015<br />
<br />
A Temple’s purpose is to provide a safe space where the diverse and essential needs of the soul can take root and grow or surrender and find solace. This year, the Temple of Promise welcomes participants through an archway soaring 97 feet overhead. Once inside, the structure curves in on itself, tapering in width and height down to just 7 feet tall. Along the way, alcoves formed by the supporting arches, as well as wooden sculptures reminiscent of stones in a stream, create altars and semi-private spaces for individuals and smaller gatherings. The lines of the curved wooden walls draw the eye inward and create a canvas for written messages and mementos. As the path continues to curve, it opens into the contemplative altar and the heart of the Temple: a grove of three sculpted trees. The branches are initially bare. Participants will write messages on long strips of cloth and attach them to the trees, creating the gentle shade of Weeping Willows, increasing as the week progresses. URL: http://www.templeofpromise.org Contact: news@templeofpromise.org
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  • Temple of Promise from: San Francisco Bay Area, CA year: 2015<br />
<br />
A Temple’s purpose is to provide a safe space where the diverse and essential needs of the soul can take root and grow or surrender and find solace. This year, the Temple of Promise welcomes participants through an archway soaring 97 feet overhead. Once inside, the structure curves in on itself, tapering in width and height down to just 7 feet tall. Along the way, alcoves formed by the supporting arches, as well as wooden sculptures reminiscent of stones in a stream, create altars and semi-private spaces for individuals and smaller gatherings. The lines of the curved wooden walls draw the eye inward and create a canvas for written messages and mementos. As the path continues to curve, it opens into the contemplative altar and the heart of the Temple: a grove of three sculpted trees. The branches are initially bare. Participants will write messages on long strips of cloth and attach them to the trees, creating the gentle shade of Weeping Willows, increasing as the week progresses. URL: http://www.templeofpromise.org Contact: news@templeofpromise.org
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  • Temple of Promise from: San Francisco Bay Area, CA year: 2015<br />
<br />
A Temple’s purpose is to provide a safe space where the diverse and essential needs of the soul can take root and grow or surrender and find solace. This year, the Temple of Promise welcomes participants through an archway soaring 97 feet overhead. Once inside, the structure curves in on itself, tapering in width and height down to just 7 feet tall. Along the way, alcoves formed by the supporting arches, as well as wooden sculptures reminiscent of stones in a stream, create altars and semi-private spaces for individuals and smaller gatherings. The lines of the curved wooden walls draw the eye inward and create a canvas for written messages and mementos. As the path continues to curve, it opens into the contemplative altar and the heart of the Temple: a grove of three sculpted trees. The branches are initially bare. Participants will write messages on long strips of cloth and attach them to the trees, creating the gentle shade of Weeping Willows, increasing as the week progresses. URL: http://www.templeofpromise.org Contact: news@templeofpromise.org
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  • Mazu Goddess of the Empty Sea Burn from: New Xishi City, Taiwan year: 2015<br />
<br />
You walk through the dust and heat of day, beyond the heart of the city, and from the haze before you emerges a shape that is both plant and place, flower and temple, both open and contained. No fence keeps you out, but one hundred and eight lanterns mark out the space, like a fairy ring in the forest, like the hundred and eight beads of the Buddhist rosary.<br />
<br />
Through the archway you walk. Up the long, low steps, the muffled sound of your tread meets the familiar clunk of wood; the music of a seaside pier rises from the dust, invoking the sense of some long lost place where water once stretched out to kiss the horizon. Below, the improbable sounds of water and the briefest hints of ocean blue tickle the imagination. From above, eight dragons of fire and steel peer down, watching you, or look out into the distance, waiting.<br />
<br />
And again, the thing that is neither quite plant nor place seems to hover at the edge of defining, the green rooftop like a lily pad, the great lotus rising up out of the dried mud and the memory of water, each petal big enough to sleep in, open out from this improbable tree, this pillar of memories.<br />
<br />
Inside, past and present blend and dance together. Old rites and new technologies bring fresh form to venerable, ancient practices. There is hidden circuitry here: casting the moon blocks reveals the will of the gods in a panoply of color and light. The breath of dragons explodes outward in answer to prayer. The goddess herself has been known to appear, if the moment is right.<br />
<br />
You leave the temple, clutching message and map, and the sound of music finds your ears. Drums, gongs and shouting voices emerge from fantastical shapes, finned and spiny, nautilus-headed dancers and demons with a thousand eyes walk out of the dust, beckoning you to join them. You wonder, for a moment, if you are in fact in a desert, or in the memories of an ancient ocean, seeing the dreams of the sea
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  • Mazu Goddess of the Empty Sea Burn from: New Xishi City, Taiwan year: 2015<br />
<br />
You walk through the dust and heat of day, beyond the heart of the city, and from the haze before you emerges a shape that is both plant and place, flower and temple, both open and contained. No fence keeps you out, but one hundred and eight lanterns mark out the space, like a fairy ring in the forest, like the hundred and eight beads of the Buddhist rosary.<br />
<br />
Through the archway you walk. Up the long, low steps, the muffled sound of your tread meets the familiar clunk of wood; the music of a seaside pier rises from the dust, invoking the sense of some long lost place where water once stretched out to kiss the horizon. Below, the improbable sounds of water and the briefest hints of ocean blue tickle the imagination. From above, eight dragons of fire and steel peer down, watching you, or look out into the distance, waiting.<br />
<br />
And again, the thing that is neither quite plant nor place seems to hover at the edge of defining, the green rooftop like a lily pad, the great lotus rising up out of the dried mud and the memory of water, each petal big enough to sleep in, open out from this improbable tree, this pillar of memories.<br />
<br />
Inside, past and present blend and dance together. Old rites and new technologies bring fresh form to venerable, ancient practices. There is hidden circuitry here: casting the moon blocks reveals the will of the gods in a panoply of color and light. The breath of dragons explodes outward in answer to prayer. The goddess herself has been known to appear, if the moment is right.<br />
<br />
You leave the temple, clutching message and map, and the sound of music finds your ears. Drums, gongs and shouting voices emerge from fantastical shapes, finned and spiny, nautilus-headed dancers and demons with a thousand eyes walk out of the dust, beckoning you to join them. You wonder, for a moment, if you are in fact in a desert, or in the memories of an ancient ocean, seeing the dreams of the sea
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  • Compound Eye/"I" from: Newark, CA year: 2015<br />
<br />
Compound I” glistens like a totemic pillar of eyeballs as light undulates over its multifaceted orbs. Mirrored spheres, surfaced with lens-like convex mirrors, stack one atop the other to a height of 18’, referencing compound eyes of insects, forms of Buddha heads and the Mandelbrot fractal at once.<br />
<br />
Circling around “Compound I”, reflected light follows us…as if we are being watched. Looking into the shifting centers of the glistening lenses, we meet our own gaze. As we realize it is our own sight and form that animates these pupils, our sense of separate-ness from the art is challenged.<br />
<br />
Stepping away, we see our image simultaneously contract/overlap with everyone else’ onto the mosaic globes before us- a composite of shared reflection.<br />
<br />
The eye as instrument of reflection and the ‘I’ as object of reflection; boundaries blur between perspectives of inner and outer, personal and collective, to convey a picture of interconnectedness, with us as facets of a compound ” I “. URL: http://www.kirstenberg.com/compound-eyei/ Contact: kberginfo@gmail.com
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  • Temple of Promise from: San Francisco Bay Area, CA year: 2015<br />
<br />
A Temple’s purpose is to provide a safe space where the diverse and essential needs of the soul can take root and grow or surrender and find solace. This year, the Temple of Promise welcomes participants through an archway soaring 97 feet overhead. Once inside, the structure curves in on itself, tapering in width and height down to just 7 feet tall. Along the way, alcoves formed by the supporting arches, as well as wooden sculptures reminiscent of stones in a stream, create altars and semi-private spaces for individuals and smaller gatherings. The lines of the curved wooden walls draw the eye inward and create a canvas for written messages and mementos. As the path continues to curve, it opens into the contemplative altar and the heart of the Temple: a grove of three sculpted trees. The branches are initially bare. Participants will write messages on long strips of cloth and attach them to the trees, creating the gentle shade of Weeping Willows, increasing as the week progresses. URL: http://www.templeofpromise.org Contact: news@templeofpromise.org
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  • The Alien Siege Machine Burn by: Dan Fox year: 2014<br />
<br />
The Alien Siege Machine is a ghost ship. It travels through space and time imperiling all it encounters. Appearing throughout the epochs, crews are enslaved and are driven by a mysterious rancor to pilot the Machine into battle, often adding their own technology as they feverishly execute another volley of combat against the very civilization from which they came. The Alien Siege Machine’s immortal and profane war has come to our time and place. Now it sits on the playa, battle wounded, but battle-ready. God save us all.<br />
<br />
Contact: fox.dan@gmail.com
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  • The Alien Siege Machine Burn by: Dan Fox year: 2014<br />
<br />
The Alien Siege Machine is a ghost ship. It travels through space and time imperiling all it encounters. Appearing throughout the epochs, crews are enslaved and are driven by a mysterious rancor to pilot the Machine into battle, often adding their own technology as they feverishly execute another volley of combat against the very civilization from which they came. The Alien Siege Machine’s immortal and profane war has come to our time and place. Now it sits on the playa, battle wounded, but battle-ready. God save us all.<br />
<br />
Contact: fox.dan@gmail.com
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  • The Alien Siege Machine Burn by: Dan Fox year: 2014<br />
<br />
The Alien Siege Machine is a ghost ship. It travels through space and time imperiling all it encounters. Appearing throughout the epochs, crews are enslaved and are driven by a mysterious rancor to pilot the Machine into battle, often adding their own technology as they feverishly execute another volley of combat against the very civilization from which they came. The Alien Siege Machine’s immortal and profane war has come to our time and place. Now it sits on the playa, battle wounded, but battle-ready. God save us all.<br />
<br />
Contact: fox.dan@gmail.com
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  • The Alien Siege Machine by: Dan Fox year: 2014<br />
<br />
The Alien Siege Machine is a ghost ship. It travels through space and time imperiling all it encounters. Appearing throughout the epochs, crews are enslaved and are driven by a mysterious rancor to pilot the Machine into battle, often adding their own technology as they feverishly execute another volley of combat against the very civilization from which they came. The Alien Siege Machine’s immortal and profane war has come to our time and place. Now it sits on the playa, battle wounded, but battle-ready. God save us all. Contact: fox.dan@gmail.com
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  • The Temple of Direction<br />
by: Geordie Van Der Bosch<br />
from: San Francisco, CA<br />
year: 2019<br />
<br />
The Temple of Direction is organized linearly. It recreates a restricted passage which expands in the center into a large hall. This is a response to the openness of the playa; it creates a space traveled end to end; versus wandering an open plan; this temple provides direction and focus. Linearity also reflects the passage of life; all lives have a beginning, a middle and an end which metaphorically is included in this temple’s form. Following this metaphor a variety of spaces are created; narrow spaces and wide spaces, dark spaces and bright spaces. Tunnels create intimate experiences with shade.. A large central hall expands in width and height providing a bright area suitable for gatherings.<br />
<br />
URL: https://www.templeofdirection.org<br />
Contact: templeofdirection@gmail.com<br />
<br />
https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V00000167U9UAI
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  • The Temple of Direction (and El Pulpo Mechanico)<br />
by: Geordie Van Der Bosch<br />
from: San Francisco, CA<br />
year: 2019<br />
<br />
The Temple of Direction is organized linearly. It recreates a restricted passage which expands in the center into a large hall. This is a response to the openness of the playa; it creates a space traveled end to end; versus wandering an open plan; this temple provides direction and focus. Linearity also reflects the passage of life; all lives have a beginning, a middle and an end which metaphorically is included in this temple’s form. Following this metaphor a variety of spaces are created; narrow spaces and wide spaces, dark spaces and bright spaces. Tunnels create intimate experiences with shade.. A large central hall expands in width and height providing a bright area suitable for gatherings.<br />
<br />
URL: https://www.templeofdirection.org<br />
Contact: templeofdirection@gmail.com<br />
<br />
https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V00000167U9UAI
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  • Stone 27<br />
by: Benjamin Langholz<br />
from: California & Berlin, Germany<br />
year: 2019<br />
<br />
Confront nature and yourself as you journey along 27 stones floating above the Playa. Step into an alternate reality where destructive energy has been harmonized with nature to create moments of physical and mental elevation. Stone 27 finds great inspiration in simplicity, minimalism, and math to create clearness and consciousness in a material world, inviting you to a moment of complete presence.<br />
<br />
URL: https://stonetwentyseven.com<br />
Contact: stonetwentyseven@gmail.com<br />
<br />
https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V000001AVo2UAG
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  • Airfield for walking in the clouds<br />
by: Weld Queen<br />
from: Moscow, Russia<br />
year: 2019<br />
<br />
“Airfield for walking in the clouds” is a model of a fantasy airfield with ten dream-liners “Armchairs for walking in the clouds.”<br />
The project is a large-scale interactive installation where people will be sitting and swinging in the “Armchairs for walking in the clouds” where they will be able to “break away” from the ground and be closer to their dreams. “Airfield for walking in the clouds” is a place where people can go on their own journey into the depths of their inner space.<br />
<br />
URL: http://weldqueen.com/project/airfield-for-walking-in-the-clouds/<br />
Contact: info@weldqueen.com<br />
<br />
https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=B#a2I0V000001TAiBUAW
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  • The Temple of Direction<br />
by: Geordie Van Der Bosch<br />
from: San Francisco, CA<br />
year: 2019<br />
<br />
The Temple of Direction is organized linearly. It recreates a restricted passage which expands in the center into a large hall. This is a response to the openness of the playa; it creates a space traveled end to end; versus wandering an open plan; this temple provides direction and focus. Linearity also reflects the passage of life; all lives have a beginning, a middle and an end which metaphorically is included in this temple’s form. Following this metaphor a variety of spaces are created; narrow spaces and wide spaces, dark spaces and bright spaces. Tunnels create intimate experiences with shade.. A large central hall expands in width and height providing a bright area suitable for gatherings.<br />
<br />
URL: https://www.templeofdirection.org<br />
Contact: templeofdirection@gmail.com<br />
<br />
https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=H#a2I0V00000167U9UAI
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  • BYTE<br />
by: Jason Blanda<br />
from: Guttenberg, NJ<br />
year: 2019<br />
<br />
B.Ÿ.T.E. (Burners for Ÿntelligent Technology Emancipation) consists of two monolithic, anthropomorphic microchips representing the very first sentient robots to be freed from slavery, Chip and Terra.<br />
<br />
Chip and Terra were first set free to play on the dusty dance floor of deep playa at Black Rock City in 2018. Their virgin year home was one of exploration as they adapted to their newly found liberation.<br />
<br />
This year, they hope to enter the imago stage of their evolution and return home to embrace the magical whimsy, radical self expression and symbiotic love as they emerge from their chrysalis and blossom into the colorful, loveable creatures they were always meant to embody. They hope to fully complete their Metamorphoses.<br />
<br />
URL: https://www.cleaveranimated.com/byte-art-installation<br />
Contact: jay@cleaveranimated.com<br />
<br />
https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=B#a2I0V000001AY6XUAW
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  • Island of Lost Buoys<br />
by: Lillian Heyward and The Island of Lost Buoys, a Create Change Project<br />
from: Bluffton, SC<br />
year: 2019<br />
<br />
On the playa is an Island, a wooden tree dominates the center made of recycled pallets, crates and drift wood. Leaves of sculpted plastic bottles rustle in the wind. Strung from a branch is a hammock made of fishing net attached to a ocean buoy marooned on the beach. Hanging from the branches are sea buoys and balls providing a place to write names or leave a message to those who will come after.<br />
<br />
Hanging from branches are bamboo wind chimes that softly clatter in the breeze. It is an island, a refuge, a place of calm and childhood in the stormy seas of life. It appears out of the playa as a mirage, the fantasy playground of youth. Discarded materials transform into an oasis, as our adult lives transform back to childhood. Bangarang!<br />
<br />
URL: http://www.createchangeproject.com<br />
Contact: islandoflostbuoys@gmail.com<br />
<br />
https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=B#a2I0V000001AVsTUAW
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  • Mutant Vehicle (name unknown) and the Head Maze<br />
<br />
Head Maze<br />
by: Matthew Schultz and The Pier<br />
from: Reno, NV<br />
year: 2019<br />
<br />
The Head Maze is a purposeful juxtapositions of two forms, a peaceful meditative reflection and our inevitable struggle with the nature of cognition; a monolithic mind caught in time between multiple selves. The head towers four stories over the playa floor, encased in mulberry paper and epoxy modeled after the work of Yoshio Ikezaki. The head rests in repose while its left hand claws at its mind fighting to reveal a crystalline stained glass structure akin to the “Space Whale” inside.<br />
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A series of hidden doors in the mouth, wrists and head open into a four story, 18 room maze. Each modular room creates a unique space dedicated to the nature of our minds, our struggles with being and the weird and fanciful process of dreaming.<br />
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URL: http://www.headmaze.com<br />
Contact: headmaze2019@gmail.com<br />
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https://burningman.org/event/brc/2019-art-installations/?yyyy=&artType=B#a2I0V000001AVtbUAG
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